But now it’s been years and years and years and years and years.

I actually liked both of the last two, but still.

That’s why this is the only place on the site to make the following point: the first 4 eps of this season are/will be:

The bulk of the 1930s/40s/50s Universal horror films are on Peacock now — note that the company is “NBC/Universal” (although owned by Comcast). I mean, not that you can always tell from the original studio who’s got it, but in this case it works.

“Dude, have ever really looked at your seven-fingered prehensile claw?”

It’s the big-budget Eraserhead remake you didn’t ask for.

Click to see Diana Rigg in the outfit that this is swiped from:

Speaking of day/night, I always chuckle at the idea that just as day is sunrise to sundown, night is moonrise to moonset.

No, he’s Mean Sean Astin.

As has been generally reported, Lorne actually wants them not to memorize, because he likes the ability to rewrite up until the last minute and put it in the cue cards.  And then, yes, you get people obviously reading from cue cards.  But don’t blame the cast for not memorizing.

You have King’s Man moving a coupe of weeks earlier, not later, possible typo?

If you know Demon’s Souls and have seen the footage of the PS5 remake, it sounds like what you’re talking about.

But is it Sofa King bad?

Even in the first ep, there’s an obvious joke where Mother explains that it’s ridiculous to run your life to please an unseen being, and her very next line is “OK, now let’s talk about how the number 5 connects all of reality.”

In The Boys they offhandedly mention that the streaming service of the evil Vought corporation is called Vought Plus, which gave me a good laugh.

I saw We’re The Millers on it a while back, and as mentioned, yes commercials, but fully unedited.

Having just seen it for the first time (Showtime!) the only serious plot thing that got me was that, in one scene, Wesley’s guys set fire to Red’s store, and there’s a whole thing about “can you prove it? who would testify”, which, ok, but the very next scene is Wesley’s guy getting into a monster truck and, in front…

Right. Fun fact: the screenplay is credited to “Stanley Kubrick and Arthur C. Clarke” and the novel to “Arthur C. Clarke and Stanley Kubrick”.

For example, the group spotted a package of Clorox disinfectant wipes for $37.95 on Amazon, which cost only $5 elsewhere.

Parker Lewis was 100% conceived as a Ferris Bueller knockoff (just look at the titles), although it quickly proved to be great.