I…had no idea this existed.

Young Mike told the coach that's mother's car was broken down and he had to take 2 buses to get to the field; next scene is him getting into his mother's working car with a wad of cash that the coach gave him to get the car fixed.

One reason, I bet, is that the waiters have reason to be moving around at all times, so given that there're doing a single-take-per-act thing, that helps us get from one main character to another, while giving us a few seconds to breathe in between.

Is is supposed to sound like a Native American "war chant", or is it offensive of me to think there is such a thing?

I hate to criticize anything about this show, but the Narrator has said "Wow, just like a telenovela, right?" a couple times too many now. We get it.

The whole thing was so odd; you had Jeremy Jordan playing a character who, aside from the Toyman stuff, could have trivially declared to be Jimmy Olsen; add Brooks as someone new — or, hell, he's a closer match for "Snapper Carr" than Ian Gomez has been.

Look up the 1980s(?) comic spoof "Megaton Man"; that's the running joke there, and it's glorious.

Yeah, Huge mystery red flag.

Ah! That would make artistic sense, then. Sold.

Agreed. The old concept of "work husband/wife" will do fine here.

So…we were all watching for clues that the psychiatrist was a hallucination, right? Because, FOGLEMAN.

Which is as good a place as any to mention my theory that the guy who guessed most of it, whose picture we see all the time in Michael's office, is the payoff to the season somehow. (But his name is Doug, so he's not Shawn.)

I don't know it as such, but a "flight" as I know it is a sampling of drinks (beer or wine) served, for some reason, on a plank.

OK, wait. From where I was sitting, what Jimmy saw through the window was Gretchen taking a picture of a classified ad, in the real estate section. No?

I think there's a chance that's just HR bullshitting.

But what if they weren't?

She was a regular on Boston Public, which ran from 2000 through 2004. Although I guess she already was older than her look then.

J'ONN: I wanted to bond with her.
SOMEONE ELSE: But you just met her!
J'ONN: Oh, on Mars that just refers to complete physical and emotional intimacy.
ME AT HOME: THAT ACTUALLY MAKES IT WORSE.

It might have been just in my head, but when that scene was followed by the "Supergirl" title card, the title seemed to gain a subtext of "not that anybody in that scene needed her at all." And could the time card have been a fraction of a second shorter than usual, making it funnier?

Everything in this movie is true. The people and institutions mentioned in it are all real.