Hello and welcome.

Damn, you’re right! in my defense, I didn’t forget which one was which, I just forgot which one ordered what.

Al troubleshoots via YouTube videos like I do, right down to where he’s underneath the tractor and hears the dire warning about how easily you can be crushed to death by it, followed by “oh shit”.

this was an A+ episode for me. one of my favourites in the whole show. just felt like one last showcase for Brian's incredible facial acting and performance as Al

They’re kind of the same thing. A boar is an intact male. A hog can be male or female.

I took the bandages on his head and arms and the wrap around his foot as evidence that he had gone to the hospital at some point.

I shall do a keg flip in celebration.

Earn’s line: “Atlanta isn’t going anywhere.” That one hit hard.

As I’ve noted, beyond any visual comparison between the painting and Alfred’s plight that jogged my (very) distant design school art history memory, I too was prompted to discover the MoMA collection page online which really drove home many points of the episode through the quote I cited. And while all art should not…

Thanks very much. I can only say that the show itself has been most enlightening and inspiring, from its conception to writing, direction, and performances over a seemingly disjointed set of seasons that, not at all coincidentally, befits our country’s own unprecedentedly astounding upheavals over six years since…

“To the Escape Tractor!”

I didn’t watch the episode but this comment is cool and I think it doesn’t deserve to be stuck in the greys

Be nice, thanks to Yahoo! Screen we got the Season 6 that we needed to fulfil the first part of the prophecy!

Well hey, a little art history show ’n tell is in order I guess, though the episode title is ultimately a great deal more subtle than merely a knowing tongue-in-cheek pun.

There does seem to be SOMETHING twisted going on between them. She was clearly brought up short by his passion. Yes it’s creepy and degrading, but let’s face it—sometimes that’s just kinda hot (I mean, they ARE on the dark side, after all).

I think Dedra was slightly intrigued by Syril. Not in a normal romantic way but in some creepy BDSM way. I can see her being a hard dom and Syril being her whimpering pathetic sub.

Just saw a quote from Denise Gough, the actress playing her, on that: “Tony wrote the first scenes for us to cheer for Dedra, but in the end you don’t do it anymore. She is not just a woman in a men’s world, but a fascist in a world of fascists. It was important to see that power corrodes women as much as men.”

FUCK. YES. STAR WARS PRISON BREAK BAYBEEEEEE

I can’t get over how phenomenal this show is. As a prequel to a prequel it has no business being THIS good.