I’m not listening to any pointless yacking when the contributors could have just, you know, written their thoughts down.

>Also, “The Color Purple” was completely robbed that year.

I read that article.  They make a pretty good point about the implications of Marty changing the timeline--they’re all richer and he has a cool truck but effectively his whole family are now strangers to him, since the lives they remember are completely different from what he remembers.

You really do.

Billy Jack should be no higher than 25th on this list.  That movie is terrible, except for the great theme song.

The script for “Back to the Future” is one of the tightest ever written. Nothing wasted in that script. Just look at how much we learn from the opening shot in Doc’s garage.

I’ll never watch a video on this site, but I admit I was watching this one with the sound muted for a while, because Geraldine Viswanathan is so, so good looking.

The very fact that the Oxford comma is debated has always puzzled me.  Of course it’s correct, and the above shows why.

Diora Baird. Proof of a benevolent God.

No

No

Have to agree with everyone else in this thread saying that Johansson’s performance, while no doubt great, is hardly revolutionary in a world where voice acting is 100 years old.

Oh shut up with your bitching about some direct-to-video piece of crap that none of us will ever watch.

Alexandra Daddario is so distractingly hot that she’s almost *too* hot. As in, it’s difficult to focus in on what kind of performance she’s giving because she so absurdly sexy.

Do we really?

“a notorious scene in which Divine (the drag queen who starred in both films) eats dog shit”

Yup.  I remember watching “Beverly Hills Cop II” in the theater and thinking it was an awful piece of shit.

Also they’re shot in color and they all have that very fake-looking blood that looks like melted candle wax.

Both of the first two segments are really only carried by the babes.

Wikipedia says cousins, and IIRC so does the movie--I remember thinking that the movie managed to justify the Fonda-Fonda resemblance without being *too* gross.

This article doesn’t even touch on what a troubled production it was.  The original director whose name I forget got fired and replaced by Sydney Pollack.  Pollack then re-shot a big chunk of the movie, including the whole scene with the mistress, and also getting a different actress to play the part.