I remember liking the song Brand New Day but even then I’m not rushing to listen to it again to find out. 

Even as someone who dislikes the episode I'm sorry you didn't get to have your catharsis in such a setting. 

I do feel I can finally publicly admit that I always found Once More With Feeling to be irritating and annoying and not as clever as it thought it was.

The one on the right looks like the Super Shredder in Turtles II but drawn by a teenage Limp Bizkit fan in 2000.

Not just Fantastic Four but the general theme of it being about a family of superheros - with the son having speed powers (especially as it was in the background of the scene where that was discovered). 

Olsen was definitely up for this. From a recent Vanity Fair interview -

Him and Michael Stuhlbarg (for A Serious Man) for me. 

I disagree. I thought he was incredible in the role. As he was in Eternal Sunshine.

There was *always* something wrong with The Truman Show - the fact Carrey didn't get even get an Oscar nomination for it, let alone the win. 

1. 2001: A Space Odyssey

Zack Snyder’s DTV Crow Sequel

Professional cunt. That's his function. And he doesn't always manage the first half of that role. 

The Cheers opening is perfected and, assuming they’re jumping to the 90s next week, I’ll forever be disappointed we didn’t get an MCU version of it.

Using him in this story is absolutely giving him more attention/credit than he deserves. 

I can’t edit to add this in but in 2007 Shrek 3 also beat Ratatouille (absolutely not rightfully so) and Meet the Robinson.

“But after Shrek 2, DreamWorks Animation never beat Disney at the box office again.”

The Holding Out for a Hero climax is great. From Saunders belting it out (via auto tune) to the orchestral score sweeping through the pop song to Mungo's weird death to the perfectly deployed Puss in Boots kitten eyes... It's just great. 

Sarah Vowell is so good as Violet, especially in Incredibles 2. They give her (and the animators in charge of her facial expressions) so much to work with and she becomes the best character in it by a mile. 

But it's never had the Breihan write-up it deserves!

The cinema I work in has a regular older audience so there’ll occasionally be a smattering of applause, especially for an old fashioned tale (or It’s a Wonderful Life at Christmas. So when the audience of mostly senior citizens applauded at an early evening screening of The 100 Year Old Man Who Fell Out of a Window it…