I found the finale really moving, sure because all the time aware it's Regular Show, and that this whole last finale arc has been really working their specific limits. And yeah when Heroes played I found it touching, not the least as it reminds as well of Bowie's now no longer being here. A double-whammy. And it could…

I liked this script, the balance set between smartly written well read one-line asides (Smithers was in good form) sentiment and humor (the ending especially with storage container, the moment Bart lies down on the floor opposite to Lisa and they connect at the head) although I agree it was definitely busy spinning…

Conan has to get with the times and start doing a car-themed show. Combine his travel-oriented shows with some classic car knowledge.

Costello's blazing first years were apparently aided by drunken bravado plus other supplements. I always thought his UK singles version was earlier than Edmunds. That's true with "What's so funny .." I can't imagine Lowe doing it even.

Perhaps simply her other opportunities maybe didn't really pan out so far, enough for her to burn bridges.

Leaving Sam styled up like some nascent feminist, on the crossroads astride her motorcycle, where she decides the next step after co-hosting an internationally known internet show is a babysitting gig with Ariana Grande.

Had they gone with the Spoonful's "Nashville Cats" that would have gotten them catchy title music.

Film versions seem easier, since those are director's visions of someone's script (maybe theirs of course) and like theater, it becomes about version and interpretation even if someone did the classic, now signature version. Like Shakespeare as a universal example, at some point films would be marketed as Orson…

So this is a kind of Archer via Blackadder approach to time. Well if it helps solve what to do with the baby.

Fair enough, Diamond was having a reputation as a performer when they covered it though, not just a songwriter. But to consider what group originated it is fine, but I think it is a grey area that is willfully confused around some performers. Dylan is a good example, his own versions were there, but hardly on the…

It's as if the scene with the Harvey Keitel ch aracter in Pulp Fiction (cleaning up after and erasing the event of the murders) becomes the whole movie….

The premise of Powerless sounds like what should have been a one-off comedy skit, rather than this milking the superhero cash cow to death. Even casting, with some nice names, feels like it is all supporting with no central presence to carry it.

If Shrek is a ground-zero of music numbers, I'd say it also brought a certain problem of pop culture dumbing down with it, Hollywood style mixed with Am.Idol kitsch. For example: in reality, they covered Neil Diamond's "I'm a Believer", the song, but "we know" they referenced the Monkees whose version put it into pop…

It's really a pity, Ames is good, Patrick Stewart was already enticing and the cast selection was great. But Blunt Talk just got too into itself in a way Bored to Death kept characters, relations and plots much more balanced and nuanced.

He assumed it I think, at least he was very even about not placing blame on the handlers when he heard it was 30 min.

It used to be about Fathers and Lorne Michaels. Now the Michaels part has been resolved more or less.

I also think he's a great interviewer, one who found a very specific format that works well, especially for his ilk of comedians and sometimes musicians and often filmmakers. But it's so uneven, sometimes at the expense of the person interviewed —- with real "don't care" gaffes, like not even knowing Alan Alda's…

Maron dropped the ball on that interview. He even introduced that segment clarifying that Lewis's handlers specifically stated it would be 30 min (which is something) because there are other people waiting to do one and its exhausting for Lewis etc etc. So Maron really should have focused on how to achieve a 30 min…

So Colbert began this whole Late Nite series joining Pearl Jam in a great spirited version of Keep on Rockin in the Free World and we end up with an uncomfortable… It's the End of the World..

Surreal, bizarre moment: the recent Match Game hosted by Alec Baldwin, and Sarah Palin is one of the guest panelists. Ratings trumps all…