Yes we can.

Flintstones chewable morphine!

Great job, johnnyb!

That followed by Leela's "Fry, that's a radiator" is probably my favorite exchange in all of Futurama. It's so dumb.

Publicity, which it's getting in the article above, without letting critics bash it.

Honestly, though, it's probably Justice. They use a million samples from all over the place. Daft Punk uses samples from old 70s music by black people.

No, that is not the most obscure Robert Altman film by a long shot.

Colleen Camp? I hate her, so much… it-it- the f - it -flam - flames. Flames, on the side of my face, breathing-breathl- heaving breaths. Heaving breaths… Heathing…

It's a stone-cold classic.
"This isn't going to be about Jesus is it?"
"Morals and ethics and carnal forbearance"
"That's the house?"
"Oh… Barney?!"
I would also argue that "Lisa's Date" has too many classic jokes to be mistaken as a non-classic Simpsons. I agree with "The Homer They Fall" and "The Old Man and the…

It's definitely someone else singing it, and it's been edited a little, but it is the actual song from the musical "Hair."

I know this is a long-running joke, but I literally just watched that episode last night and it's without a doubt "car-hole." I feel like the "car-hold" contingent is just going off of memory. Now bring on the insanity.

*pets a horseshoe crab*
Nice doggy.

I can imagine it's plenty barbed these days once again.

Meh, I'm familiar with the punctuation mark. I chose not to use that word. There are two punctuation marks here (and yes, I'm aware people use both together when they don't have the option of using an actual interrobang).

I really love the question mark.

The one I really would have loved to have seen was his Faster, Pussycat, Kill! Kill! remake with Britney Spears in the Lori Williams role.

Tarantino says a lot of bullshit.

I mean Vol. 2 was essentially a western with one kung-fu detour. So…. yes.

There was an entire period of her life where she adopted a British accent. She isn't a particularly gifted actress (in the right film, she's serviceable) and she won her Oscar in a field with four heavy-heavy duty actresses/performances. She's also pretty insufferable in a lot of interviews.

Who Is It is probably my favorite song of hers, but its chock full of great tracks. It's also wholly Bjork and a singular kind of sound. I think people get turned off by it being just vocals, but she creates complete soundscapes with them. Triumph of the Heart is also probably the weirdest party jam you could put on.