You specify person, location, weapon, and why all the evidence points at Bates.

And four decades after Isis ruled CBS's Saturday morning lineup.

SPOILERS

Even "good for Orzammar" is too simple. He's happy to break up the class structure and raise up some people who'd have no hope in the existing system. But he's also a ruthless tyrant dismantling every bit of social and governmental machinery restraining his rule, who clearly values his own power and pretty much…

Though dammit, when are we going to fix that giant hole in the wall? Doesn't that sort of defeat the entire purpose of a castle?

Dragon Age Elves are a different sort of subversion: both sorts of elves (and especially the Dalish) think they used to be Tolkien-style Elves. But true or not (and it's unclear if it was), now they're basically humans with a couple of distinctive features that makes it easy to practice racism against them.

Now I'm trying to imagine Dalish youth-group activities. Everything that comes to mind (e.g., sitting around a campfire with a guitar singing songs about Halamshiral) is pretty much just Tuesday for the Dalish.

The latter concern only became an issue with terrible low-flow toilets.

To be fair, no Dragon Age game ever lets you actually sell out to a demon for full village-destroying Abomination power. (Let alone managing to simulate the constant dreams tempting you to make all your problems go away through that easy, seductive shortcut.)

"When we asked you to lie to someone and betray her? We were lying to you and planning to betray you."

"In Search of the Unknown"— at least in the version I saw. But Wikipedia says it was replaced by "The Keep on the Borderlands" in 1981. (Reading further, it looks like the Caves of Chaos are part of that.)

There's a local commercial (Victory Auto Wreckers) which has been running unchanged video footage for thirty years. Sometime in the last decade or so they changed the voice over a bit, but the same dude is still struggling with the same 70s-vintage car. (And no wonder, by now.)

Likewise. (When the random topless woman shows up in the aisle, I remember my dad quipping "I know her.")

And then, after they've bonded and he's developed a paternal attachment to Kimmy, he uses her to go after her father. The resulting fallout upends her life, and her fate embodies Phillip's nightmare of Paige's future if he and Elizabeth are caught or killed.

Philip was also reading the first issue of PC Magazine, which was dated Feb/Mar 1982, even though it's got to be close to a year later. (Brezhnev died in 11/82.)

I felt really bad for the restaurant employees who are going to have to explain how someone claiming to be an FBI agent flashed a badge, completely trashed the ladies' room, and left. And then get it repaired ASAP.

"We'd like you to drag this cart with an antenna on it wherever you go. No reason— everyone in the US does it."

I wonder how much of that is her inhabiting Elizabeth's perception of Phillip as not wholly reliable.

Absolutely. Identification with the victim is a big reason people feel more strongly about some crimes than others independent of their absolute magnitude. The truisms about "a conservative is a liberal who's been mugged"/"a liberal is a conservative who's been arrested" partly reflect that too— personal experience…

"Good" is probably stretching it— in a superhero universe, the ends justifying the means is the emblem of line-crossing. (Even if it doesn't make the person a villain, it makes them not-good and an antagonist.) And that's what JLU Waller was all about.