The animation is gorgeous.

Also even though it just came out, The Nice Guys is solid.
"Sorry Mr. March my sister had a boy over and she kicked us out."
"God your sister is such a slut."

"Oh hey I forgot to tell you something."
"What?"
"Fuck you fat ass."

I really can't say They Came Together is the best Wain film, or even second best, but fuck if I didn't cry my eyes out whenever Paul Rudd and Max Greenfield shared a scene together.

Oh god if Jason Bateman came on VEEP doing that kind of character I would die.

Ricky-Bobby don't you stick that knife in your leg.

Seriously, every time I'm down on myself I think about Jason Segel banging on the piano singing "Peter you suck. Peter you suck. Everybody hates you, you ruined everything. Go see a psychiatrist, I HATE THE PSYCHIATRIST."

"Weed is tight. Weed is tight."

I'm all for the Bro Comedies of McKay/Ferrell, Rogen & Co., and The Lonely Island (AM I THE ONLY ONE WHO SAW POPSTAR AND LOVED IT?) but for nostalgia's sake and the fact that it's still a great movie, I'm gonna give some love to Legally Blonde. That movie is always worth a rewatch and it may be sweeter than other…

When they're all huddled around talking about Danny McBride and James Franco keeps saying he needs to leave in a stupid voice, "Motherfucker has gots to go", I just about fell out of my seat in the theater.

*Chewbacca noises indicating disappointment in being reduced to a face-plate for a bored housewife who thinks anyone gives a shit about her opinion*

Exactly. I loath McCarthy's loud and abrasive characters. It'll be nice to see her play someone who you're supposed to like.

You guys should definitely make a "Funniest Movies of the Past Sixteen Years" because This Is The End and Popstar are two of the funniest films I've seen.

The whole list in question makes me wonder what constitutes a comedy. I love Frances Ha a helluva lot but I don't think of it in the same way as Adam McKay's work for example.

Gosh if only we could wait until the movie came out before we actually decided how we felt about it.

I think his reaction is more akin to those who still want Christian Bale to be Batman because he's the "definitive" Batman. But then the immediate argument is what's the difference between RoboCop's reboot and Ghostbusters? That is where it falls apart, and that's why Devin Faraci's (YMMV) essay on the whole thing…

I like to think us 90s kids are too bitter and cynical to really give a fuck.

I agree completely. But pop culture certainly thrives in rehashing the 80s doesn't it?

I think he was speaking to his audience, which to be fair are likely to be the same 30-something-let's-jizz-on-80s-nostalgia-for-the-rest-of-our-lives kind of people that he represents. I mean his online staple is the Angry Video Game Nerd which primarily focuses on video games of the late 70s, 80s, and early early…

He's a prolific guy with a small but fiercely loyal audience who made a video that was not intended to be swept up on the online' snap-moralism bandwagon. That's on him for not expecting people to react so negatively giving the sensitivity of the subject that's plagued the movie since it's inception.