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Bang
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Good to see Project 86. "The Butcher" always gets me.

Good to see Project 86. "The Butcher" always gets me.

Good to see Project 86. "The Butcher" always gets me.

Good to see Project 86. "The Butcher" always gets me.

I only listened to "Lazarus" after Bowie had passed, and it blew my mind.

I picked "No Shade in the Shadow of the Cross" from Carrie & Lowell, but nearly every song on that album could've made my list. "Should Have Known Better" is my favorite from it, though.

These are some of the songs that have given me goosebumps lately:

Oscar Micheaux homesteaded and filmed in the area where I grew up. Our family used to support and participate in a festival in his honor every year, and his homestead was kept up and left open to the public. Unfortunately, a rural town of 1,300 people (and, it should be noted, with about one family that's African

…what?

They're certainly creative in the way they play with song structures and mash genres together. "Ode to Sleep" is probably the best example of how they successfully upend expectations within a song. Even their biggest hit, "Stressed Out," utilizes some musical twists and unusual chord progressions, while simultaneously

It's a reference to an Arthur Miller play, where a man deals with guilt after making an intentional sale of faulty equipment that causes the death of 21 pilots.

I started Fuller over Blount.

I'd argue that golf is far more interesting to watch. Nascar may even be more interesting than soccer.

Red squiggles under words are your friend. Use them.

Smashmouth?

If we're talking strictly nu-metal instead of just hard rock, then there's at least Project 86, Blindside, and Disciple, and that's just among the big-name bands.

It's too bad that he's unfunny and has the worst delivery of any host I've ever heard.

That last sentence is hilariously wrong.

The score to Up is pretty great, so I'm happy with this news.

Never been into Touche Amore, but I'll check this out on Spotify. The lyrics sound reminiscent of Sufjan Steven's Carrie & Lowell.