Yeah, I mean, there was that Burzum band and look how well that turned out.

I still maintain that Pizzolatto hoped Vaughn would play his character like his character in Made, which would have made this so much better, but instead we just got the Vaughn Vaughn has grown into.

If you like him with a 'stache, you'll love The Lobster.

I think his comedy has a strange tone to it, but think that "Man Down" is fucking hilarious with moments of genius.

I absolutely did get those two things confused. Let me say thank you for this Xmas gift of clarification, and also offer my sincere apologies for implying you might actually like that berk.

Nope, Jack Whitehall is fucking insufferable.

Related note: Del Boy falling through the bar has got to be the funniest thing ever show on television.

Does anyone really believe there's someone at the door in a knock knock joke?

The show is kind to its protagonists in a way that seems rare on TV. I like the way it portrays a niche interest as being important and central to the protagonists' lives in a way that others don't understand and that's okay.

Sheep. Sheep, sheep, sheep… Archangel Gabriel.
Il joko?
No, Archangel Gabriel!

A few years ago I attended an event where Doctorow interviewed Gibson and the difference between them was staggering.

What, apart from the process of his actually physically ageing, makes you say that?

Dexter Fletcher is also the director of the underrated crime flick "Wild Bill" and the kinda-sugary, but half-decent "Sunshine on Leith". If you're going to name acting credits for a film he's directing, you might as well pull out Spike from "Press Gang".

"Don't sell spirits, huh?"
"It's 11 o'clock in the morning!"
"Oh, cause I asked you what time it was. What I thought I asked you was do you sell spirits?"

What was Wenger thinking, sending Walcott on that early?

Interestingly enough Proyas was born in Egypt, albeit to Greek parents, so he should be much more familiar with the ethnicity of said pantheon given they still manifest and walk around the streets and such.

What's the last comedy film Jim Carey did and does anyone consider him anything other than a comedian who also happens to do drama?

"Jeff: The only one that we hadn’t met before we started the real casting process was Steve Rannazzisi. He came in and just told us the most heartbreaking story and we had to hire him, had to. I mean, if we hadn't, then the terrorists really would have won. What's that, he what? He did what now… son of a bitch!"

I kinda know what you mean, but kinda not. I can't think of many drama-to-comedy transitions, whereas comedy-to-drama transitions are somewhat common, often to a lot of acclaim. To go back to DRIVE, look at how much praise was thrown Albert Brooks' way for playing so far away from his usual roles. Or look at Jim…

Closing scene as The Allies finally liberate the Death Camp. It's eerily silent. Empty. They open a door… nothing. Another… again nothing. They look around, they look at each other, they'd heard such stories. They open the final door and there, in the middle otherwise empty hall, is a four-hundred-pound Russell Crowe…