It seems I'm still the only person in the universe who thinks "Appetite For Destruction" is irredeemable garbage. Surely someone else must hate it, but I've not met them.

He calls DMB fans a "latent, racist, date-rape crew," and THEN defends Guns N' Roses???!? FUCK THIS GUY.

You're hearing uilleann pipes on Spike. "Tramp The Dirt Down," though. What a tune.

Jimmy's initial glee (and the almost immediate disappearance thereof) at the sight of the sunroof in his new car was perfect, and it made me LOL.

I have a REALLY hard time believing any of these shows could possibly be worse than the 10.5 minutes of "Master Of None" that I watched, but bullshit clearly prevails, nonetheless. Watch whatever shit things you want.

Glad to see a piece on this show. I promise I'm definitely going to read it on my next holiday.

I had a Betamax copy of "Dunderklumpen" as a kid.

Yeah, I agree. I actually kind of took that to be Heller's meaning, in fact. Like "Taylor Swift the person" is more of an abstract hypothetical thing, not that there are "two sides" to Swift or some shit.

"It can be two things," I know.

Get a load of Captain Bringdown over here. Songwriting is about alienating as many people as possible.

"This is not a song that Taylor Swift the person wrote; this is a song that Taylor Swift the panderer wrote." Goddamnit, she articulated that perfectly.

That was actually one of the more disappointing ones for me. Albini is smart and funny, and I thought he wouldn't be afraid to slaughter a sacred cow. So why go after "Believe," a song that - even though I love it, personally - always winds up on those dumb "worst song of all time" lists?

But isn't "Hey Soul Sister" the easiest of easy targets?

I feel like this feature has so much potential. But people always choose easy targets, can't explain why they hate the song, and then eventually back down and wind up saying something sorta nice about it. It could be so much more.

I'll acknowledge that De La Rocha *is* a genuinely talented vocalist, but I certainly would NOT say that RATM are instrumentally any more competent than Limp Bizkit.

I don't see any significant difference between Limp Bizkit and Rage Against The Machine. They're both equally awful, if you ask me.

"Barnaby Joyce, is that the Chattanooga Choo-Choo," etc.

You're not alone, Adams: "Go Places" is one of my favorite New Pornos songs. In fact, I read that AC Newman considers it his best song.

"Kyle and the Kids! / He loves his wife / and there's nothing you can do."

"The “improv as a cult” connection has been made before"