“I refused to because I’m like, ‘I feel really uncomfortable right now and this is the only evidence,” Fox said.

I mean, at least Jacob Elordi is in a movie with award buzz, not to mention a pretty popular streaming show. I didn’t know about him before watching Saltburn, but I did still watch Saltburn. What should I have watched to know who this guy is?

Mr. & Mrs. Smith’s primary goal is to let audiences know John and Jane aren’t a version of James Bond; they’re regular folks. They could be anybody—so much so that, while running around New York City after an assignment goes awry, they complain about blisters and keep stopping to catch their breaths.

This. It doesn’t matter whether they catch the right person. All that matters is they can report another case closed, so their statistics look good.

He isn’t out there advocating for anything terrible

Freedom of speech protects his right to be a bigot and a bully, and it protects our rights to call Dave Chappelle a piece of shit hack. Shit cuts both ways. 

He isn’t out there advocating for anything terrible, and he’s definitely a person who would not stand for actual harm being done to anyone.

Weight loss, make up and filters.

Israel is committing genocide against Palestinians.   Anyone who denies it is a racist liar who is encouraging genocide.    

I loved Fury Road, but I cannot imagine watching it in black and white. The contrast of the blue sky with the red ground, or the blue sky and the red sandstorm were half of what made the movie. And what showed how Immortan Joe hoarded so much moire than he needed than all the green plants surrounding him as he…

Decolorized versions of movies tend to make me scratch my head unless the director was specifically reaching for a throwback tone with the movie. Parasite and Mad Max are such odd choices (especially Mad Max, a movie which takes great advantage of color), but I get it with The Mist and Godzilla. Why I’d give it a shot…

...what?

For what it’s worth, I think that’s a perfectly reasonable distinction. Remember also that Barbie isn’t just a doll -- there are books, shows, television commercials, all of which establish who the character is.  Gerwig was unmistakably playing with the expectations set forth for the character in the screenplay.  It’s…

Ah.

From what I understand, Gerwig made the decision to switch to the adapted category when she lost the original screenplay category at the Golden Globes. Either way, it’s tough competition for her. Barbie was adorable, but it was uneven in many places. 

I probably would’ve liked the ending more if there was a bit more weirdness in the rest of the series. The weirder moments there before (i.e., the chicken curse, Asher’s, uh, issue, etc.) all felt grounded and the ending took a big swing into magic realism that just wasn’t really there before.

Gaza is a textbook example of a pre-ww2 style ghetto which is now being leveraged into full scale ethnic cleansing. What else do you call over 8k dead children killed by indescriminate bombings in less than three months, those who remain being starved to death, with absolutely no way of escaping the area? Ppl seem to…

My barbershop is also a for-profit company doing business because it wants to make money. When my barber picks up the mirror after cutting my hair, I tend to just say my hair looks good, without falling into a pissy little lecture about capitalism.

Last of Us 2 delivers Joel the ending he deserves, which by extension sets Ellie down an awkward path where she reconciles the parts she loves about her adopted dad, while also completely accepting that he was a piece of shit to a lot of people. While also battling the influence that he left on her life overall. Its a…

The game is amazing and this is a ridiculously silly take.