Hold the door! T_T

I understand that it may be a little too much for some. I just find it a little counterproductive that feminists tend to turn every female character into some kind of symbol for femininity and everything that happens to them is interpreted as either an act for or against women in general (as if the show condones…

Yeah, right? When they basically rehashed the ending of the previous episode at the beginning, I was confused about if we're still in the "previously on…"-segment or already in the episode.

A sequel to what? The Rob Zombie films? The godawful Halloween Resurrection? Just let it be. Give Michael Myers a break.

As a feminist myself I frequently have to cringe at the demands my fellow feminists make, like the opinion that a TV show can only be feminist when the women of the show are constantly presented in an empowering light and never have to face anything bad, violent or victimizing happening to them. I consider that…

This show is just a complete mess with characters changing their entire world views and going completely insane within one or two scenes and the whole philosophy these last two episodes tried to present ("zombies are the next evolutionary step and god's will and we should love them and treat them just like before they…

I think this is exactly the point. Present Hodor did not hold the door because Bran warged into him, but because he seemed to remember this situation from his "birth" and did it instinctively. Holding the door is essentially the mission he received when he became who he is and he finally carries it out.

Probably because Bran is still unaware of the extend of his powers. For example, that he can actually "change" the past instead of just watching it and that when he warges in the past into people he also warges into past versions of them or even both, past and present versions. He's not able to control it yet,…

It does make sense. Bran simultaneously warged into the past as well as into Hodor, kind of creating the environment that made all of this happen. The future intervened in the past, Hodor's death affected his "birth", the end builds the beginning, creating the circumstances that were meant to be all along. It's wacky…

I think the episode made a point when it cut out right before Hodor could be romerofied. So I'm not believing yet that he's dead.

Yeah, I prefer a review to tell me first what the plot constellation is, who the characters are, how they are connected and what they are up to during the course of the movie (at least during the setup), because that's what I need to decide if this story could be interesting to me. Everything that goes beyond that,…

'This review is quite a lot of hot air, isn't it? I've read it all the way through and I still don't know what the plot is, but I now know that Magneto is a beacon of sexual potency just like this review is supposed to be a beacon of intellectual potency for Ignatiy Vishnevetsky.

"Try to read as little as possible" he said after vaguely giving away the ending.

It's the rare radio-ready mainstream pop album without a single dud (not even among the bonus tracks). Thumbs up. She's probably the most reliable conventional hit machine working today, since Rihanna doesn't want that spot anymore.

I'm not surprised the creator is from Portland. This could be taken right out of Portlandia.

Make America obnoxious again!

This is a great summer album.

I believe this will be a relatively death-free episode, because some conflicts have been solved last episode and others still lie ahead for later episodes, so this will probably be a relatively harmless table-setting episode. Loras' death works for table-setting and he has to go anyway soon (for Iron Fist), so it's…

Well, the Telegraph has a 5 star review describing a "prolonged sequence of lesbian necrophilia" and later says "it lands on a sequence so jaw-dropping that all you can do is howl or cheer". Sounds like a ringing endorsement to me.

He seems to be a practicing gynecologist. His patients just don't want him to practice.