Well, anyway “Elvis Cadillac For Mommy” is the band name of the day.

It’s weird that so many people approach hyper-niche streaming media the same way they approached traditional broadcast 10 or 15 years ago.

Shows don’t need 10+ seasons to be ‘good.’ Tell a story, do it well, end it. I don’t need to watch the same characters pad out inferior seasons for a hundred episodes just because…

Man am I ever glad your day is ending. People like you really do deserve to be on the trash heap of history.

I’ve been saying since the bonus $600 unemployment started that if $600 was enough to get people to quit working for you, you never had employees, you had slave labor. 

Okay, Boomer. Glad you were able to make a good living back in 1973. Now why don’t you go fuck yourself right off the retirement home while the younger generations try to deal with present-day reality.

“Nobody owes you a living wage.”

Ahh yes “we did it this way, so it’s the best!”. You know, we could make working lower paying jobs not a complete shitshow. You can learn good skills and a work ethic without being treated and paid like shit.

2 comments up you’re whining about people quitting jobs yet here you are supposedly praising someone for quitting a job.

“How dare you not settle for working part-time at minimum wage, all so that I can shove a burger in my fat fucking gob!” -AngryBob-VA, probably

So not only does she not have the right to her own name, but you also think she doesn’t have the right to try and reclaim that stolen agency? That's an incredibly asinine point of view for you to take. 

Heh. Alley. Alley cats. Good one. Good one, yes. Heh

Only if she had a contract with you not to do so.

And nobody will miss you.

The amount of victimhood you are hoping to feel here could fuel a Mission to Mars.

I love this.

>> If [your] themes are accurately represented in the game, then there’s no need for recitation of those themes in the meta. When you finish watching Fight Club...

I can’t help but feel like the more people argue they should be able to get the achievement, the more of a point that not being able to get it makes sense.

There was an edition of Fahrenheit 451 produced with a fireproof slipcase. In House of Leaves, the minotaur really is trying to get you. Godot never shows up, so everyone who’s seen or read the play is still waiting. Metafictional touches can add to a work, and if WtWTLW had ended with a sense of total completion it…

If those themes are properly illustrated, then you have two types of player.

When you finish watching Fight Club, the movie doesn’t delete itself because the movie is anti-consumerist