dave-i
Dave_I
dave-i

I agree with you, however it seems like Disney/Marvel and Sony could have come to some agreement. Spider-Man is going to make a boatload of money, that is essentially a given at this point. We knew it was going to come out this year, so that was not really a surprise to most of us. However they could have played it

Good points. I think a lot of that has to do with the fact that Sam Raimi’s Spider-Man already covered a lot of those fairly well (aside from Gwen Stacy) and the fact we got the original Spider-Man origin story rehashed (poorly, I might add) with Andrew Garfield’s The Amazing Spider-Man.

All those liberties are

Obligatory Avengers spoiler alert...

Was it too much to ask for them to wait until after Avengers: Endgame for them to confirm that all the deaths in the last one were meaningless and going to be reset? Obviously we all know that has to happen since they weren’t going to just kill off half of the active superheroes in

And that’s just to build the thing. That’s nothing on the ongoing maintenance of it, nor the environmental impact, eminent domain concerns, and the fact that many have pointed out it’s unlikely to actually solve the problems of illegal immigration or illegal drugs.

There is no evidence of the stash house guards being bad people. [snip] Chris deserved to die far more than some random guy looking after some stolen jet skis.

Sigh. A dictionary definition?

Two thoughts to that.

First, let’s look at what has historically been called an assassin.

assassin as·​sas·​sin | \ə-ˈsa-sᵊn noun

Those people were not dealing with someone with a primary goal of killing them.

It won’t work.

I haven’t seen season one of Runaways, but I had a couple questions.

First, is it worth watching?

Second...How in the hell does it get a pre-air grade of A for the season when literally every episodic grade is a B or C? Am I missing something here?

there’s no reason why Faye couldn’t be black and from Singapore in the future, but there’s also no reason to overwrite an explicitly Asian character. Thus ScarJo is perfect for the role.

This one’s a strange one for me. Cowboy Bebop is, frankly, about as close to perfect as I’ve come across. Maybe perfect is the wrong word. However, it works for me on every level. The animation, tones, the story, character development, and need I mention the the music? It’s not so much that I am against the remake as

If this show is really just going to end with Bojack unable to change, I’m out right now.

Given the theme of the season, I guess my question is basically can we forgive? Hell, should we forgive?

Obviously this season was inspired by things like the #MeToo movement, with specific nods apparently to Mel Gibson and Harvey Weinstein. I tend to fall in the camp that Mel Gibson has done a course correct and

I can see your point, I think, but I disagree as well.

This is just my opinion, of course, and yet that does seem to be how people change. You may have a point about the show following the same beats. And yet it feels to me like Bojack is going down a realistic path. He’s making progress as Ghostiet said, and yet

To err is human.

I think he misspoke, and yet did nothing unforgivable. That is not to give him a pass, but I think there was actually a point under his commentary worth discussion, and he was likely emotional about it because his friends were involved. That does not excuse it, and I think he gets that (as much as I

I would have rather they used this as an opportunity to talk about things. I know the AV Club thinks Macdonald “managed to step on every landmine,” however I do not believe that is true. Despite coming across a bit insensitive to victims there is, in fact, a conversation to be had about forgiveness, due process, and

Hey Can With No Name, really good post.