Mike Ehrmantrout and about a dozen German men.

Well then, Rachel Keller for Sue Storm.

This is fascinating to me. The episode looks like all of the rest of the series though, so how is that possible? After the backdoor pilot didn’t happen, they decided to rebrand and focus on Scooby Doo instead, yet retained the animation style of the Urkel project?

The only reason it’s still being talked about is because Hawley is such a visionary that he’s someone that’s worth keeping around. That being said, if his first feature Pale Blue Dot flops, I could see there being less and less talk about this hypothetical movie...

Regardless, this script NEEDS to be released. Hawley…

Jeremy Irons?

Ha! I forgot that we actually got a trailer for this thing!

It’s also crazy that the push towards horror was because of the success of IT, right? And the idea that this maybe would be an R-Rated X-Men movie? It’s insane to think that the SEQUEL to IT will already be in theaters (and probably DVD/Blu-Ray) before New Mutants is even released.

I’d laugh so hard if when the movie finally comes out, it IS just a documentary on the troubled production.

I really wish they had just released that original film! Ugh, there was such excitement brewing for New Mutants and Josh Boone almost got to make The Stand because of it. It’s crazy how a delay like this can completely alter someone’s career. Even if New Mutants is amazing, everyone is already over Mutants because of…

Godzilla 2000 is probably the best example of this, made only stronger by how bad the actual movie was.

They should honestly release this gag in theaters as a teaser trailer.

I mean, basically every White House joke in this trailer was already done, and then some, in Last Man on Earth.

For what it’s worth, this is his first movie where the word is never used.

I was fine with the fact that Kurt Russell’s character was the narrator (although it’s not exactly clear why), but would have smiled if Jackson was used instead (even if that would have made even less sense).

Not only that, but the film REALLY emphasizes Cliff’s strength at the ranch when he actually lets himself loose for once. The way in which that beat down is shot, it makes it seem like he’s freaking Superman.

I seriously don’t remember ANYONE being up in arms when American Horror Story: Cult actually DID show—and graphically—many of the Manson murders.

This film’s final act is incredibly violent, but I don’t see how what’s depicted is actually worse than showing the gruesome murder of INNOCENT people, including one who’s…

I get your point, but now I’m really just curious how people would have reacted if Spielberg made an incredibly accurate Lincoln biopic, only to take a hard turn at the end.

YES on the stutter. I at first was wondering if his character had developed some brain problem that was slowly affecting his acting and pushing him out of the spotlight. The fact that it was just a nervous tic to indicate how fragile he really is was even better.

Loved, loved, loved the scene where they’re watching FBI…

I get this take, but let’s not forget that Manson also came to Hollywood with the hopes of making it big as a recording artist. The fact that he didn’t is also what pushed him into these murders. He may barely be in the film, but the fact that Manson--and many of his followers--came to Hollywood for the exact same…

Or just the entire idea that Rick and Cliff’s whole careers were perhaps building to them being able to eventually take out the attackers.