cryptid
Cryptid
cryptid

It is a weird mix of Mon Oncle, Franz Kafka, a phone alarm on Saturday, and a bag of shrooms. Comedy is probably the best word we have for that, so let’s go with it.

Counter point: Greek life mostly sucks. The people involved in sororities and fraternities wield influence on campus and beyond, through job market networking, in support of a social standard that everyone involved tries so hard to meet that it is only questioned when someone falls out a window or needs a fucking

It’s mostly that the same bunch, for the most part, moved on to the next

Superior Spider-Man can both be a great execution and Slott’s high concept ideas can also be a bad fit for what Spider-Man fans have traditionally wanted from the franchise.

I liked it, I thought most of his run (except Carlie Cooper) was a lot of fun.

Perhaps I’m imagining it, but it seems like online Spider-fandom is finally coming around to Dan Slott. I loved his run for its high concepts and trollish sense of humor, but he took over in the shadow of One More Day, and the forums seemed determined to hate his stuff...or simply ignore it in endless arguments about

Um, there may be a slight verbal ambiguity in the headline. Perhaps it ought to be “Marjorie Taylor Greene May Have Illegally Sent Hunter Biden’s Stolen Nudes to Minors.”

So it doesn’t confirm Venom is Harry, but Venom is Harry.

I was hoping that the dreary overcast skies after the Bahamut fight would be temporary. And I assumed the new lighting would be temporary because it looks like such an afterthought, as if the developers simply stopped down the camera for a day-for-night look. I’m fine with gloom as long the art direction takes gloom

Nolan has been heavily involved in the development of virtually every screenplay he has filmed. He has a screenplay credit on roughly half of his movies, and he worked closely with his writers on the rest. Have a look at Tom Shone’s book, The Nolan Variations, for the details. The idea that he neglects the importance

“Whether for budgetary reasons or reasons of control, studios now look at a screenplay as a series of events and say ‘this is the essence of what the film is,’” said Nolan, who famously hates series of events, in a recent interview with The Telegraph.

International markets, particularly China, took to the first Pacific Rim, extremely well.

De Palma usually swipes good scenes, so I am just guessing the helicopter was an original bad idea.

The sequence of Cruise dropping into that room is iconic. If there’s a weakness in the recent films, I think it’s only that they don’t have moments quite like that (climbing the Burj Dubai comes close, though.)

Yeah, totally agree with you on the first film. At this point it almost feels like a completely different cinematic universe compared to 4-6.

Here’s the thing with Mission: Impossible 2. It’s not bad. Not by a long shot. It’s directed by John Woo, for crying out loud. The issue is it was the first sequel, so the franchise wasn’t quite sure what it wanted to be yet.

Jackson’s statements come at an unfortunate time for Marvel Studios, which is currently under fire for using artificial intelligence to create the opening credits for Secret Invasion instead of, you know, actual artists. It’s far too easy to imagine the studio being more than willing to replace actors with

And oh boy when I’m trying to defend my film what I definitely want to do is invoke the name of another big budget box office bomb

“Everything is distorted in terms of lights and textures. We enter this ‘waterworld’ which is basically being in Barry’s POV. It was part of the design so if it looks a little weird to you that was intended.”

Boy, these guys at DC sure love announcing things. The cynical explanation is that the studio wants to express supreme confidence in The Flash, so we get this whole narrative about how everyone loves Andy Muschietti.