cryptid
Cryptid
cryptid

Interesting story ideas, and yet I am just fixated on how many pouches Magneto has. I feel like he, more than anyone, shouldn’t need a ton of pouches.

It’s just that now instead of casting aside that difference in the hope of co-operation with humanity, they’re simply asking them to deal with it.

No worries. Who can keep track of this stuff?

It’s probably the young Apocalypse from Uncanny X-Force, who was stolen from his cultists and raised by the X-Men. He’s been kicking around these books for a few years now.

Really enjoyed House of X #1. Like how it sets up a substantive shift in the status-quo for the mutant line (although that first “to me, my x-men” scene... what was all that about? Suspicious...).

What’s going to be the best way to catch these (in a timely manner) if we don’t have access to a comic book store or a library that has the ability to download them digitally through their system?

I’m skeptical of relaunches. On the other hand, when Jonathan Hickman says he has a plan, we should probably believe him.

Well, they also apparently think the original Blade trilogy is “the best series of superhero movies ever”, so take that with buckets of salt.

Gentrify... How?

Portman was one of the worst things about the Thor movies.

I have mixed feelings. Mahershala Ali is a great actor, and Blade is an awesome character, but part of me suspects that Disney is about to gentrify the best series of superhero movies ever. Despite its flaws, Blade 2 is still my favorite movie featuring a Marvel character. And this means that we will probably never

I might have given One-Shot to Emily Carroll and New Series to Isola, but there aren’t any outrageous choices here.

Mister Miracle and Tom King/Mitch Gerads deserve any awards they win. I know there’s a lot of hate for him because of his mainstream stuff (mostly Batman) but MM was easily the best comic I read last year.

In hindsight, Terminator 2 looks like an elegy for the eighties action movie. You can see Cameron beginning to grapple with the way that digital technology will make both the themes and effects of the series obsolete. It’s a last hurrah for Cold War themes and industrial imagery.

One thing I love to point out which most people seem to not be aware of (and, trust me, I didn’t connect the two until recently and quite by accident) Prince of Darkness is a remake -of sorts- of the seminal British sci-fi film Quatermass and the Pit. The evidence is there in the credits, where Carpenter uses the

A part of me wants to completely, totally agree with your comment...

You write like a 6th grader, girl.

Someone needs to put John Carpenter behind the camera again so he can stop fiddling around with nonsense like this. He was never a great writer, although he’s not bad either, but no one working now is better at seeing in widescreen.

I read so many bad things about it that when I saw it, my expectations were so low, that I not only liked it but I had a blast the entire time.

I’m not sure that would’ve made The Predator any better, honestly.