When I first saw the finale I was a bit irked, but I binged the whole thing last year and it works a lot better at the end of a long stream of episodes (though that could have just been the sleep deprivation), HIMYM always nailed the heart even when the writing faltered.

Amazed this episode wasn't an A, but each to their own I suppose, I absolutely loved every minute of it.

Sure others have noticed, but also love how the logo is a tie in to the current arc on Agents of SHIELD, with I'm assuming this story exploring the early days of the portal they use in Season 3.

The Little Engine That Could (2011)

The best fighter in the DC Universe? I always thought it was Batman.

I'm sorry but as an Indian growing up in Britain who has watched the Simpsons religiously for the past 16 years at least, Apu has not once offended either me or my family.
Apu may have started as a fairly crude caricature, but in the era of the Indian girl from Sense8 and Raj in TBBT (the worst in my opinion), Apu was…

More a case of the lesser of two evils, but I agree completely. It's weird how they got it so right with Skyfall, a big band belter with some real power behind it, and somehow with Spectre we wind up with some whimpering and a few orchestral flourishes.

It was even more painful when Radiohead released their potential version at Christmas, so much better.

Who on earth gave Writing's on the Wall an award? More like a dirge than a Bond theme, unbearable.

I'm so glad this show is back, been far too long, and they've bolted out of the gates with a cracking episode that just shows everything this show can do when it's firing on all cylinders. Bring on another season of chaos, mayhem, narcissism, bickering and shouting.

There has been nudity in BBC productions, but it's always been the tasteful British kind as opposed to the, shall we say, HBO variety.

British broadcasting standards are odd at the best of times. They'll happily show some rather frightening, for children anyway, episodes of Who before the watershed, yet this gets altered. I've also noticed some rather inexplicable syndication edits to The Simpsons, though I'm not sure if those only exist in the UK.

Was nodding along to every entry on this list until I got to underrated films, Ex Machina? If anything I'd say it was the opposite, from what I saw anyway, people were hyping the crap out of it as some mind blowing sci fi on the level of Primer when in reality it was semi-intelligent and fun and creepy then kind of…

Bing Bong's goodbye in Inside Out, haven't had a scene get to me like that in quite some time. Personal favourite has to be the scene with the White Lies record in A Girl Walks Home Alone At Night, just wonderful.

Spoken like someone who doesn't actually know anything about movies.

Was just about to comment that, the church fight was (pardon the pun) bloody marvellous. Just giddy, irreverent, almost balletic action filmmaking that came out of nowhere and stole the show.

Couldn't get to the portal in time? I'm just spitballing here, I have no idea, maybe they'll explain further down the line.

It's the Inhuman creature thing taking his body, and judging by how it handled the gunshot wounds as Will it could probably summon up the strength to make it to the portal and get out of the castle. It's a comic book show, crazy shit's bound to happen.

For most of this season Shield has been both entertaining and well written, and though this episode has its flaws when you pick through it, in and of the moment it was a jolly good ride.
From the top acting all around, to the steady pacing, to the Will reveal, Daisy and her squad of power rangers, some genuinely funny…

I can't remember off the top of my head, they weren't that funny, but there were some gags and throwaway lines that raised more than the usual smirk that modern Simpsons tends to elicit.
I thought the most recent FG was just awful, that whole Brian subplot was possibly one of the worst the show has done.