I think part of the issue is generational, unfortunately. That may sound ageist, but for some reason my older colleagues (like 45+) struggle with realtime software communication. They prefer text, if anything, which is fine but...it’s not Slack. I have a boss who prefers quick 1-1 connects over the phone - the PHONE.

It doesn’t matter how rich he is, he’s a fucking dweeb.  And he’ll always be one.

Jezebel - where women can’t have agency if they’re significantly younger in a straight relationship (even though they’re a full-ass adult), but then we’ll blame it on everyone else when she expresses the agency she actually had that people didn’t think she had.

The man is a legitimate rock star, and I mean that in the larger “popular musician” sense.

Interesting, but that robot basically looks like a mashup of 343 Guilty Spark and Wilson from Castaway.

Lindsay Lohan did coke and was annoying to work with, and she got banished.  Ezra commits literal crimes, including violent ones, and “well, let’s see how they come around.”

Williams’ 23 Grand Slam titles outstrip any other athlete in the history of her sport, male or female.

On top of this ridiculous news, there has yet to be an apparent mainstream demand for VR.

I feel like Bluetooth, while incredibly important, has not really advanced in a long time. And, it doesn’t need to be SO much better, it’s just wireless device connectivity. BUT, I feel like it’s still very draining on batteries, wonky in trying to auto-connect, and super easy to disrupt. Just walking across a busy…

Does it let me see any of the dropped plot threads that could have made this show not a complete disaster as it ended, or why they dropped/ignored them? And don’t @me with “well ackshualllyyy it was good if you consider....” because deep down you know that’s wrong.

I think we all know the truth that Beyonce, like many other pop stars, is arguably more of a vehicle, albeit a tremendously talented one, for other peoples’ ideas. And that’s ok! But like with a lot of pop music, sometimes the “artists” are really just good-looking, interesting, and cool performers who can dance,…

A lot of this is augmentation vs. wholesale replacement.  Driving is one thing, but it’s not like the entire house is fake, they just gave it a treeline.

Every time I see an image of an old Mac computer, especially one of the more stylish ones like iMacs, I’m. reminded that one of the best things Apple ever did is start using Intel chips.

Starfox feels like it may be the biggest womp womp of stunt casting in the MCU so far. I thought Peter Dinklage was just about the perfect level of “oh wow, it’s that guy!” and it paid off in the exact right amount of time.

If you’re a “regular looking” dude that was banging EmRata on the regular, that’s enough cachet to live on for years. Please see: Pete Davidson, Adam Duritz. The very fact that he was doing this is going to make many, many women curious.

There’s a very Christian movie vibe about this thing. The “crime wave” depicted at the beginning i.e. “society in chaos!”, a white man being the savior, and the bad guy looking very “urban.”

She is tired, and not an ally of anything.  She’s entirely self-serving while also undermining any “cause” or issue she’s trying to talk about.  

Ehenreich was the only narrative that’s worth following in that movie. He’s incredibly charming, and the only one (along with Fiennes, who’s not playing a main role) who plays their character with just enough silliness but still has a real humanity/believability to them so it doesn’t veer into campy caricature. Pretty…

I thought Ehenreich’s Solo was more believable as a precursor to Ford’s Solo (cocky but insecure and lacking formative life experience turns into cocky and grizzled/experienced, and still a bit insecure), whereas I didn’t really believe Glover’s Lando would have become Williams’ Lando (charmingly goofy and weird, also…

Wouldn’t it be fair to say that perhaps the MCU needs to start changing up “the formula?”