She’s exceptionally gifted in the Force, that’s how the Force has always worked; there’s definitely more to her story than has yet been revealed, don’t know if it will all make sense ultimately, but she’s got her bad penny reflection in Kylo ... there’s a lot more failure to come I predict.

Except for the fact that Michael keeps making mistakes, acting rashly, getting in trouble, and failing in her goals, I think you’re spot on.

And in Howard’s End, where he played old, dense and stuffy and still kept the hotness on simmer.

Once the rap started, I was out. I decided to read about it later. This show puts me in The Office territory of squirminess far too often. I do want all the Emmys for Tom though.

Are cops usually ordered to neutralize someone? He entered non-violently, and they pull out the guns and the knives? That fearful captain was inept.

It’s not easy doing real-costume change flashbacks, especially three times.

Tina’s fearful moan was warranted this week by Bob’s wrath.

PPoison gas I thought.

Head to youtube, it’s all there. And in the travelling Downton Experience museum show, actually.

Downtown is one hundred percent a feel-good movie, and people are craving that. Ad Astra, however, has marketed itself as a mystery, only it’s a mystery with no foreshadowing. Downton just had to ramp up all the things they always did (and they chose the most lightweight, effervescent ones, even with a gay bar scene)…

She’s indestructible!

She reminded me of Roma from Captain Britain at the end.

The stylistic stuff was an end in itself for me. The show challenged the visual limits and restrictions of TV, and experimented with sound and set design in highly creative ways that were often beguiling and compeling. I can think of few others that pulled such a thing off for so long. I think it’s why Switch’s story…

His is a face built to suffer. Strong’s every silent expression says the worst is always happening already to Kendall.

I can’t relate to the immigrant experience exactly, as I’ve only moved and studied and lived from one part of America to another; but I related so much to the distance from elderly loved ones, to scenes like “no one expects you to come” and her nai nai’s own assurance that Billi needs to get back to her life after the…

I agree. I thought of Nick and Nora, too. Of course, Veronica already has that repartee with her Dad, and Logan couldn’t really replace Keith. But I guess Thomas means he wants Veronica to be open to new relationships as they come along, which she couldn’t be as Mrs. Mars.

I hope Alon cashed that therapy check and ran for the hills!

Well, that makes more sense. :)

Very deep, really added to the season (which I thought was great already).

Not quite following. I enjoy both the Shadow King and Charles Xavier (and Gabrielle Haller) aspects of this season. I was just saying I also want a Storm show one day. The movies haven’t done much with her since the first couple.