Bohemian Rhapsody did great business overseas, which might explain the HFPA supporting it so strongly.

Hmm, that’s interesting, so she’s more of an animated voice actress in this case? Still, she’s going to parties and red carpets, to judge by the fashion blogs.

Homeworld is full of a miserable class, or multiples of them, not just the Off-Colors. Steven may have to break the culture before it fixes itself.

Stuck?

Wan has no trouble with tone. The tone is the same throughout. It’s a myth, and a children’s story, with lots of guns, and all the requisite daddy and mommy issues that superheroes need .

I thought the Extra bit worked fine by the end. Day’s every guy Scrooge was a little slow on timing (you’ve really gotta nail the straight guy exasperation if that’s your thing), but Momoa was the wild card eye candy he needed to be, and McKinnon’s Tiny Tim finally hit the right lunatic tone. We all need to be more…

And it keeps happening to her apparently, now on the set of Bull.

I find it odd that Kruger, who apparently plays a significant role, has been left out of all advertising and trailers for the film. She’s arguably a bigger star than some of the other Barbies. Is her outfit not sexy enough perhaps?

Hoqwarts will always provide a home for dangerous confused monsters in need!

Yes, I agree. She got the gloves because she was too sensitive, and more in danger from the house than the rest. But she may have agreed to wear them out of fear of that creepy ghost touch.

A teacher from it appears in Flamel’s scrapbook.

Or understandable Queenie, for that matter. I don’t mind her character arc, but I’d like it to have taken more than three disconnected scenes to explain itself.

Wonder what French muggles are called.

He’s the only one who can defeat Grindelwald. Or something.

Goblet of Fire is uneven and sort of all over the place until the ending crawls out of a portkey. I think Order of the Phoenix is the best (it’s the action movie, and lots of Grimauld Place and old school lore), followed by Azkaban.

It was the werewolves that really broke the mold.

Which he uses again for The Fog, which is all buildup ... but abrupt denouement.

For me I guess it’s really about the duos; when two stars consistently click together. Belushi/Akroyd, Radner/Curtin, Murphy/Piscopo, Fallon/Fey, Hooks/Dunn, Hooks/Hartman, Meyers/Poehler, Ferrell/Oteri, even Farley/Spade and Jost/Jones. And then you’ve got the endless adapters like Keenan and the Dratch and Hartman…

With that I cannot argue. If there’s one thing Hill House never needs, it’s a twangy guitar ballad, even if (most of) the siblings get to have mates and babies again.

I’ve always seen Hell House as a strange sort of kinkier sequel to Hill House.