So I guess the producers didn't read my AV Club post months ago about having Sia do the theme. Damn I thought that would work.

No it's not bad. It's even entertaining. But when you start thinking about it afterwards you keep repeatedly saying "well that was dumb and that other part was dumb and why did the characters not just do this" etc.

I'm curious about the financial aspects of this album. It's for sale on iTunes and you can stream it on Spotify so clearly he intends to make money from it. So how does that work? Does he just have to credit the actual song writers and they get paid as if this is just an alternate version of the original? Did he need…

But I must know if Lorde is working on a new album. Don't leave me hanging South Park.

In case you are asking this seriously, the first 2 seasons count as the first 24. I think the 3rd was on another channel so they don't count it.

Just watched this and at first I thought they finally realized the error of the previous ways by ditching the screenwriting portion of the contest and then they go and choose the most pretentious difficult director possible. They clearly only care about creating maximum drama for a TV show and I'm going to enjoy…

Yeah it certainly made for good drama. If you look at it as some psychological experiment where they take enthusiastic rookie filmmakers and see what happens when you tell them they are going to get the chance of a lifetime but really just throw them with little guidance into the soul crushing, finance driven,…

Yeah and they could have chosen the women director who was obsessed with the script and that could have produced something better or worse but at least two roles would have been on the same page.

I just rewatched season 2 and it's laughable to think that at any point they thought the screenplay for battle of shaker heights was good and that it would result in a movie that people would want to see. Also the directors were so insanely naive. I've never made a movie in my life yet even I'm not so stupid to think…

The writer wasn't a director though.

I turned on the TV years ago and Palladia was playing the NIN Beside You In Time concert, specifically Something I Can Never Have, and the performance of that song (which I had never heard before) blew my mind. I went out and bought the DVD the next day and have been a huge NIN fan since.

I've actually seen Major Lazer live and I'm over 30. Does that make me cool? Or hopelessly trying to hang on to my last shred of youth?

Every time I look at the top Spotify charts it makes me shake my head in disappointment in the collective musical tastes of America…except when I see The Weeknd on there because he awesome.

It's confusing because most likely the writers haven't thought up the answer to all your questions. The only way to give themselves enough freedom to go in different directions is to make it confusing. Sadly that is how almost every TV show is written.

Obviously we don't know yet but my guess would be White Rose infiltrating or maybe she is/was a part of them and now regrets it so she wants to destroy them.

I doubt White Rose only dresses as a woman when meeting with people in the hacker world since it's not like it was a good disguise. More likely she dresses as a man in the high stakes business world because they wouldn't take her seriously as anything but a man.

I actually like it. It reminds me of a blend between the various scores by Trent Reznor and Cliff Martinez.

Tyrell's wife is mystifying to me. Like I think she's secretly the devil and everything that is happening is part of her plan.

Don't forget about The Social Network's music.

Based on visuals alone I thought the entire time David Fincher was involved because they kept advertising it as "from the director of Girl With The Dragon Tattoo". Then I realized they were talking about the Swedish version.