clayjayandrays
ClayJayAndRays
clayjayandrays

Europe always had POC and evidence of them was intentionally and systematically removed from the historical record in the 19th century by racist historians in Europe and the U.S.

Fair. I will say that I doubt many of the racist, sexist ragey manbabies who thrive on how hateful the interwebs are care one whit for Tolkein or Rings of Power. It’s about fueling hate and then profiting from that hate. Watch the trailer for Rings of Power, and your youtube front page will suddenly feature racist &

Also, Avatar sucks. 

There's no need to talk about those particular dipshits because unfortunately the broader genre issue is more at play. Theatrical comedies are in a major slump.

I don’t think I ever saw a trailer for Smile—I’m positive I never did—but I think the first trailer I ever saw for Bros was in…I want to say 2015, and since then, it feels like there have been a pretty high number of ads in print, on the radio, on TV, featurettes in theaters, theatrical trailers, you name it (and,

I think the villain is going to be revealed to be a bigger character and the show will end by revealing She-Hulk will appear in XYZ movie. My guess is its The Leader (given he’s a Hulk villain) and Cap 4 (given The Leader was announced for it already).

I still like the show overall, but I have a couple minor problems at this point:

Yes.

Probably.....She Hulk has been doing it forever.  In fact, she was Deadpool before Deadpool.

This is probably the 3rd best Disney MCU show hater

*cough*Wongers*cough*

Breaking News: TV Show About Woman Written By Woman Fails To Satisfy Man

*cough*Wong*cough*

  • Josh was in on it. Called that.

Though even with the Clone Wars arcs, each episode still had its own clear structure, while here the first three episodes literally feel like a movie cut into three roughly equal sections, and apparently that’s going to continue. And I again have to stress, I’m NOT saying this is a bad thing.

I listened to an interview with the showrunner, Tony Gilroy, and he mentioned the show is kinda segmented in three-episode chunks. He also mentioned the transition from screenwriting (which is very tied to page counts and finite runtimes, unlike streaming tv) allowing him to loosen up some, but he still kept the movie

I’m not sure how much sympathy we should be reserving for a hard-working Empire cop, but Meero’s righteous frustration will only build from here, I imagine.

It’s funny that I am really, really enjoying the mundane day-to-day of the Star Wars universe as depicted in Andor. Like, the boarding announcements at the Coruscant port, the Imperial mid-level staff meetings (“Can’t we do these by holo??”), the delegation of Imperial authority to the Corporate Security forces and

I’ve been rapt with every episode, kind of surprised how refreshingly non-fan servicy it is.

One weird thing I’ve noticed is that the episodes tend to not be structured at all as individual episodes. The scenes play out until a full episode’s run time has been reached, and then it just ends regardless of how well the current scene works as an episode ending. Luckily, everything about the show is so great that