And here we are too with a writers strike just when the mystery box is starting to crack more obviously open and ready for the next season, after a character went down a hatch this season (under a crashed plane no less, they knew what they were doing lmao) - the lost vibes have gotten meta :p - but I do actually…

The argument here is that you can already play these games in the lower tier of the Nintendo subscription. Just load up the SNES section and play Lost Levels or SMW/Yoshi’s Island.

At this point, does it really matter who Pit Girl is? All of the characters who have been developed and are important to the story in the past are still alive in the present. So unless something really comes out of left field plotwise (maybe the present-day authorities find some hidden evidence of Pit Girl, thereby…

Naw, man. WFRR works because they make the cartoons look like cartoons and do things cartoons do, and not “Alvin and the Chipmunks but they look like real chipmunks and don’t do anything interesting.”

They don’t really say that, but what they’re doing is giving Succession’s George W. Trump ammo to keep it alive in the court system so that ultimately it gets to SCOTUS level where the Succession version of Clarence Thomas can vote in favor of the candidate for whom his wife works on the transition team. Or, ATN just…

These aren’t hour-long episodes, they are three 22-minute episodes of three different shows all scrambled together. Ironically, we got almost no actual Ted Lasso this week! But we got the Coach Nate and Keeley show episodes.

All of these other shows feel superfluous outside of the aspect of “It’s nice just to spend…

Thank god you’re here to save us from potentially having any fun.

Listen to this week’s Chapo Trap House about why Ted Lasso sucks an egg. 

I don’t think that’s a fair way of looking at it. That season 1 was incredibly tightly plotted; everything flowed steadily and logically and made sense. Like Ted himself, its winning nature was in its steadiness and consistency.

Sorry, but the hourlong episodes have been the worse thing to happen to this show, Nate playing Arvo Pärt on the violin, a close second. The longer episodes enables the narrative to overcook and fizzle out. For an hour long episode, they really should have found screentime to have a scene where Nate apologises in…

Obligatory:

Plus, it was the movie that decided that Vin Diesel was a charismatic lead. Now that’s implausible.

The first movie is the only correct answer. The NOS; the “danger to manifold” scene; cars simultaneously doing wheelies and burnouts; not one, but TWO women willing to fuck Ja Rule if he wins a street race; and the pièce de résistance, Dom’s crew of thieves risking life and limb against shotgun-wielding truck drivers…

Nobody had to abuse anybody for me to be wretchedly sick of this guy.

Heh. Everything here looks like how ABC always looks. They may be the network best-equipped to ride this out. CBS, on the other hand...

I don’t need to scroll up to sum this up:

It feels especially weird because nearly every other analysis I’ve read of this episode has been all about how it takes the audience back to the sickening feeling of past US elections, particularly 2000 and 2016. Which is not so say that the AV Club needs to be in lock-step with every other website, but it’s just kind…

Yeah, everyone hates the Micheal Jackson episode.

This thread is interesting to me because as I see it, they’re not real characters. I haven’t watched the show in so long that I’ve only seen the oldest three episodes listed here.