I wonder if maybe it’s the anthem that needs fixin’ ultimately

She also seems like the kind of woman who would say, “Well, I wouldn’t go so far as to say I’m a feminist...”

I feel significantly dumber having watched that video. 

Exactly, if they can do the job who cares who their parents were. Jack Quaid is a talented actor and has the charisma, Wyatt Russel is great, Bryce Dallas Howard can act and direct, Sophia Coppola because a great director(just don’t let her act).

I do you one better, and say that the Hollywood Nepo Babies that are actually talented are the only ones that are successful. For every Charlie Sheen, there’s a Joe Estevez, after all. 

The Old Man Season 2?

I had not noticed that it was semi-transparent until I went back up to look in response to your comment.  So, I think you owe me an apology.

One thing I do wonder is why Aemond doesn’t just fly across the bay to Dragonstone after the battle and end the war. Syrax, Moondancer and Vermax probably couldn’t even get airborne before he roasted the keep.

Yah, when he finally turns around it is Daemon himself looking back (Matt Smith gone and flat ironed that wig of his)

I’ll give Ser Criston his flowers, it was a good plan. Too bad his idiot boss had to jeopardize everything.

Fuck yes! EEEEVVVIILLLLLLL! A show that gets better and somehow more deranged as it goes on.

The dropped storyline that really bothers me in its lack of resolution was Ben dating the reality show producer who either had a ghost twin who was harassing him, or else she was just gaslighting him 

What's the deal with wrinkles? 

Maybe Gina Carano is a dumbass white supremacist who should be ostracized by polite society?

The header image implies they interrupted a TED Talk about Hot Pockets.

I don’t remember Vince Vaugh having an accent in season two of True Detective.

Aw, I feel bad for season two. It’s really not terrible.

Orange stain? Sounds like the new “presidential model.”

he can’t appeal without paying a bond which should be 100% of the damages

’The Insider’ is Mann’s best film. (Somebody had to do it. Might as well be me.)