You more of a solemn silence, only interrupted by the sounds of slapping flesh kind of guy?

I do you one better on the erection challenge. I once had a girlfriend who would just start giggling in the middle of the act. Could be working on foreplay, could be mid-stroke, but she'd just start giggling. It was always because of some bullshit she saw on 4chan earlier in the day, which she only then, at that very…

Wax on, wax off.

I'm doing my best to remember the exact details, but I once had a girlfriend very directly tell me she "couldn't get off to that." I'm PRETTY sure it wasn't Looney Tunes that just happened to be on the TV. I mean, I'm 99% sure it was something on the TV that was the problem, where she preferred her Dave Mathews, Death…

Side note: as much as people like to bitch about those who have “mains” when it comes to Hanzo or Widow, few complained about Hog mains. Because he was fucking overpowered and useful in damn near any situation. The upside is that they have to be more than one-trick ponies with that one-shot hook bullshit.

I mean, once you write "Bombs Over Baghdad," there's not really much left to do.

I mean, sure. The same way Fonzie jumping over a shark gets under my skin, or thinking about how popular the 50 Shades books are. It’s definitely some KIND of writing, just not what I’d call good.

Correction: I wanted to retcon Negan’s entire existence away. Or for him to die on his way back to his home planet. Also, I don’t give two shits about Rick’s characterization, which isn’t purely from my own apathy.

Yeah, no joke. I mean, I know it's sometimes hard to figure out what to do with characters after their plot purpose is served, but c'mon. Also, the whole "that'll cause a diplomatic accident" before killing the king or the black Murderbot 9000 squad that was a walking Chehkov's Gun. PROGRAMMED THEM HIMSELF, DID HE?…

I think Valerian falls into a new sub-genre of "Scooby Doo plots in space." Clive Owen basically yelled "and I would have gotten away with it, etc" at the end.

It was disappointing for knowing an annoying, “this is what 12 year olds thinks is awesome” character was gonna just keep on being annoying, and the expectation that I had enough attachment to the characters to read about Carl’s teen angst and whatnot. I mean, I obviously didn’t have enough attachment to the series…

To be fair, the only reason I even read through All Out War was to be able to know where the show is going. Which is why I checked out of the show after the last season premier.

Welcome to the fucking Farm 2.0, kids.

And ruin their gravy train? Hell no. It is disappointing that they’re sticking so close to the broad strokes of the comic as of late, because I checked out after All Out War due to lack of interest.

I can’t read this article without assuming Germain is just playing coy for the people who stay away from the comics. Which is fine, but you’ll all be disappointed once this all plays out.

Yeah, see, that's my actual problem with that death on panel and camera. I appreciated the character a lot more on the show, but either way, it was gratuitous and generally handled poorly.

What it's it's a widespread case of schizophrenia and the "living" in this world are actually hallucinating other humans to be undead monsters? Civilization as a whole didn't actually fall, and these people have been sequestering themselves in remote areas and killing anyone who comes near them.

[citation needed]

The problem there is that there is almost no answer that would be satisfactory, and he'd be smart to keep up the argument that it actually doesn't really matter. We find out someone fucked a monkey and caused the virus and…?

Well yeah, it's just that, usually, nobody gives a shit.