Yeah, I think I preferred the immobile Goldar mask to the AS2 look.

Umm, if you think the scores to The Good the Bad and the Ugly, Cinema Paradiso, Lizard in a Woman's Skin and Danger Diabolik are all the same style, you are an insanity man!

Yeah, I don't think it's a problem with the movie. I love the interviews with Angie Dickinson about it, though.

It's still eighteen minutes shorter than Transformers 4! Look on the bright side!

Have you seen that behind-the-scenes video of the Green Goblin makeup test going around? It looks far better than the immobile power-rangers style mask they ended up using.

Goldsmith is the weakest of the big mainstream guys IMO. The only score of his I consider iconic is Planet of the Apes. He's got some wildly overrated stuff like Alien and the original Legend score and some horribly dated stuff like Hoosiers. Under Fire is alright, I suppose. Even some of the schmaltz-fest guys…

It might be entirely something that got read into it by later generations, but the fact so many people see it in there and it's so clear on the surface for many of us means that his original intent is kind of irrelevant. It might just mainly be a personal connection to the subject for those of us who have past guilt…

I don't recall having a big problem getting through that, it was certainly better than "hey, go around fishing for treasure chests for four hours before we'll let you in the last dungeon!!"

I just gave up and got a component cable for wii and played the gamecube games through that.

Yeah, that's a major gameplay mechanic, along with a handful of horseback battles. I quite liked most of the combat in this one. I also have fond memories of that boss that you largely fought by rapidly surfing along the edges of the room on the spiky wheel item.

The main motivation of his character seemed to be a more universal flaw, one in which he is trying to force a woman into being something she's not, with total disregard for her emotions. The "in love with a ghost" angle is just a convenient way of exploring that kind of emotional abuse. I never thought of any of his…

Agreed with all this. Vertigo is really emotionally wrenching, IMO. Scotty is one of the most unintentionally sadistic villains in movie history. It's sometimes painful to watch, especially in the scene where he talks her into dyeing her hair.

*Angie Dickinson's ridiculously endowed body double

I was only vaguely aware of the verb "Shipping" until last week, but it's quickly become my least favorite verb in the english language.

I still haven't seen Kingsman, but I heard a ton of annoyance at some apparent ending gag which is ungodly offensive. I don't know what happens in it or anything, but after seeing how all the women are portrayed in First Class and how the script is loaded with excuses for them to appear in as little clothing as…

I think her desperation to appear appealing is paradoxically her most likable trait. I'm a total spaz with the charisma and charm of a bucket of paint, too! It's the smooth-operating creeps who can charm anyone that I really don't trust.

"Sure, Clinton is far worse, but Bernie did some bad stuff too!"

Yeah, I guess you're right. She's not awful on GoT or anything, but based on this trailer she's just doing the same thing here where all she does is stand around and make hurt/concerned faces. And based on the previous, her accent is more than dodgy. :/ I guess if that's the point of the character, it's fine, but…

That car shot looked like pure Zack Snyder. That's the thing that really puts me off about these trailers - the incredibly artificial looking HEROIC POSE sorts of shots like that one and the one of Storm. They look like something from 300 instead of from the previous X-Men movies.

I've seen no evidence whatsoever in Game of Thrones that Sophie Turner is capable of being awesome. She fell so flat in the one or two episodes where her character was supposed to be an in-control badass (before they then put her back to being a victim). I feel like all the high hopes for her in this are pure…