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CaitlinsDadVP
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John Logan. :-) You’re very welcome. I hope you can someday see it, because its amazing. Best thing I’ve ever been in. Cast was amazing, director brilliant, writing-perfect, lights and sound-spot on. It’s worth seeking out to see, as its crafted just expertly. All his plays that I’ve read or been in (PETER AND ALICE,

Its interesting that this is happening now. Many people are unaware that playwright/screenwriter/director John Logan (Gladiator, The Aviator, Hugo (Oscar winner for writing that), Skyfall, & Tony winner for writing RED) wrote a play called PETER AND ALICE that imagined the conversation held between Alice Liddell

This is a near perfect response to what should never have been a story in the first place. Sam and Scott Beauchamp should both be ashamed of themselves. Thank you.

This. This is why I can’t watch this film again. Not the Normandy scene, as brutal as it is, but this scene. It’s just too much of a violation to watch an American Jewish soldier killed by a goddamn Nazi like this. It killed me watching it, nearly brought me to tears, and the cowardice that Upham has in not saving

That’s interesting you’ve never seen it live as it’s done pretty frequently. I’ve been in it twice. 

It was not an regular human season of WWDITS, it was extraordinarily funny and clever in every way. Thanks for your reviews Katie. Can’t wait for Season 3. Jackie Daytona Lives! BAT!

The most important thing in this episode is we saw Dr. Mid-Nite’s owl! A live owl on TV most likely with superpowers! Since a Great Horned Owl in the wild can live to around 29-30, and one in captivity lived to be around 50, hopefully it will be around for a long time.

Owls rule.

I guess that’s what we’re going to find out. 

The S.T.R.I.P.E. training sequence was fun. Again, a lot of good things in this episode.

Geoff Johns really loves Icicle as he had the character kill Dr. Fate in SMALLVILLE and made him a huge threat, and he had him kill Starman in this series and makes him the overall leader of the ISA. I don’t know why Johns likes

I’d watch that. First he has to get a new Billy Bigmouth Bass. 

This was NOT an average human episode of WHAT WE DO IN THE SHADOWS. It may be now my favorite episode of all time.

I’m still not sure if my favorite bit was in regards to Jim’s card or the toothpick. I’m leaning toothpick, but BOY did Hamill nail the realization/slow turn as he said “How did you know that was my

Like others here, I’m disappointed that the show is going “dark”, when there seems to be a need for some lighter fare when it comes to superheroes, and the LEGENDS have proved you can be light (downright silly sometimes) while having serious stakes. I was hoping this show would be a balance between FLASH/SUPERGIRL

I DO love my hometown. This is the most St.Louis thing I’ve seen since the Blues Victory Parade

She usually didn’t really HAVE a main antagonist. No clear rogue of her own. So creating Lena works and using the old Superboy/Lex former friends now worst of enemies device works with Lena and Kara. Its basically just a remake of that dynamic, and that’s fine. I wouldn’t mind Edge returning either. Max Lord...love

This is as good an episode of SUPERGIRL that there has ever been, and it really belongs to the combined efforts of Cryer and Benoist (as director—what a great way to make her directorial debut on the show). Everything is spot on in a way a flashback episode should be, the one weakness, as you rightly point out

Outstanding work Will! Congratulations. Proof again you’re the master of Random Roles. 

Wow. That second paragraph describing the future this final season of BROCKMIRE takes place in left my jaw on the floor. I almost thought it was something you were making up til I got around to the middle of it and realized you wouldn’t go THAT far in pulling our leg about it. I can’t wait to see all this unfold. This

This was peak Holt in this episode, all the Wuntch burns, balloon arches, his utter disdain/disgust with actors, or as he calls them, “professional liars”, (even worse, this was an improv group who were his “mourners” just for the experience, dear god that was perfect) and finally his acceptance and speech at the end

Outstanding work as always Will. Fascinating stuff, and as always, I love reading the person talk about their theatre background and how jobs on-camera evolve from that. Would love to see him live onstage someday. 

They’re in the books, so its not a cop out for the writers of the show to use them to move the story along. People talk to their daemons, so, again, its not exactly a “cop-out” to use them for some exposition purposes or to move the story along without doing boring voiceovers or montages.

A person can’t be separated