bromona-quimby
Bromona Quimby
bromona-quimby

What’s happening with that last sentence?

There’s no such thing as traditional marriage, unless you’re talking dowries and bigamy. 

With the gutting of the VRA, there aren’t enough voters.  

It’s part of their show.  I am sure neither does anything without the other knowing.  They are both monsters.  

Fosse/Verdon, now that it’s over, was derivative storytelling camouflaged by smoke and mirrors, a confused point of view (It was still always more FOSSE than Fosse/Verdon), but anchored by almost uniformly excellent performances. Michelle Williams’s uncanny without caricature embodiment of Verdon is deserving of every

It’s okay, because karma isn’t real.  Anyone who believes their thoughts can create a change of job loss sounds like they are dealing with OCD. 

O’Rourke was trying to cram every single talking point he could into a place where he was really just being asked about his own behavior and choices

So, um, what’s actually going on here?

I mean, in Catholicism you have to confess the sins or you’re going to hell.

I liked the episode inasmuch as I don’t care about anyone or anything anymore. It’s the little things, like the callback to Cersei watching the Sept burn when she watched Kings Landing burn tonight.

I’ve been a little annoyed with the storytelling and it’s reliance on(or lack of interest in) what it’s audience already knows about the people (and I’m someone who knows a fair amount about the major characters involved!), but the show is anchored by Michelle Williams’s incredible performance and it’s worth it for

Oh, wow, when it more or less sticks to a single time period and has an episode with an actual arc and stakes that aren’t grafted on by editing tricks, Fosse/Verdon actually lives up to its promise.

No, we mean Krissy and Kammy, too. 

Now do one for your Bernie called “The Working Class Isn’t Just White People.”

Oh sure, I get that.

I don’t think the show is intentionally making the point that Fosse was smoke and mirrors. 

The debt this show owes All That Jazz (and last night Pippin - particularly the finale) is absurd. Maybe it’s unavoidable, but then I’d rather just watch All That Jazz. Williams is giving a hell of a performance, but this show is smoke and mirrors.  They really let the Pippin finale do the heavy lifting last night. 

Think of how much more time you’d have for unfocused bitching on Jezebel. 

Sanders should be better at this by now.

lol