“Luc Besson Presents: Wellington and the Parliament of a Thousand Lies”
“Luc Besson Presents: Wellington and the Parliament of a Thousand Lies”
Scott denies that his mother was a hamster, but is noticeably silent on the subject of his father smelling of elderberries.
French GQ responded to Scott’s comments by farting in his general direction.
It sounds like it fell like a flat barbell, with something heavy on each end.
It’s long enough, but there normally wouldn’t be much mass at the top end to create a similarly sized crater as the engines. Unless some extra payload was mounted there. They didn’t say it broke in two, they said the mass had two major concentrations, separated by 14m. One was the engines.
2 maybe 3 of them looks like something you’d see from the 90s. the rest of them look like something for a very small childs tv show. the lines and colors are wrong. the only thing that makes them “90s” is that some of them are wearing old costumes.
I fail to see the problem.
2Glad2Tour.
I adore Pedro as an actor and he genuinely seems like very cool person, but I do not see him as Reed, like...at all.
Here’s the thing about Reed Richards...he’s a prick. I don’t know what they’re doing with the film, maybe they’re going more Golen Age FF vibes, but for the past 40 years in comics Reed has been a cold,…
I interpret his “I’m sorry he got hurt” as “I’m sorry for myself that I got caught”
If the police were there when the guy was swinging the hammer why didn’t they FUCKING SHOOT HIM
Fuckin absolutely bonkers that this awful, stupid shit comes back up like this. I lurked KiA for a while just out of morbid curiosity and it really was a collection of some of the dumbest, most reactionary idiots around. I still remember when they treated Gamasutra (RIP that old name) and its press release section…
We really do live in a time of diminished personal accountability. “I’m sorry that he got hurt.” He didn’t “get” hurt. YOU HURT HIM.
Yes, it is about “female journalists and developers,” but not explicitly.
The individuals the author references—Mila Pavlin, Emilia Schatz, Rebekah Valentine, as well as the aspiring-editor-in-chiefs Cecilia D’Anastasio and Ash Parrish—are all well-paid (some more than others, naturally).
The problem is you’re expecting actual journalism out of Kotaku. The people capable of that are long gone.
Do you really think there are no women among your “working class people of various backgrounds?” Do you honestly think none of them would like some recognition?
Tell me you’re a middle-class cishet white guy without telling me you’re a middle-class cishet white guy.
This site regularly criticizes C-suite executives of gaming companies, and this article is explicitly about female journalists and developers. That’s the text of this article. Representation in this context refers to the gaming news desks that cover games and the development teams whose labor produces the games we all…
If anyone deserves representation, it is they, whose labor produces the games we all love and play.