Her face when she said "You called it a pow-wow!" was just ridiculously cute. How is she so good at facial expressions?

The casting for Boyle and Gina's parents? PERFECT.

This was nonstop funny, beginning to end. The ensemble is at their best when they're under pressure and dealing with it horribly, and when I realized the entire episode was basically going to be the interview I knew we had a classic.

That monologue. My God. Every second of it.

For a little while there I wasn't sure if Katrina was gonna make it. I mean, she's in the main cast, but that's no guarantee of safety (especially when this is a show involving ghosts and purgatory and so on.) So a good suspenseful plot.

Hugo's sort of a plot device character (designed to cause conflict) and I think they've built up the universe enough that they don't really need that anymore. He's served his purpose, and there's only so many times they can do the "restaurant unjustly shut down" thing.

It seems like it'd be a fun writing exercise to do something like that and straddle the line between true dramatic monologue writing and over-the-top absurdity. Of course knowing Braugher was going to be doing the delivery probably gave them the confidence to go all-out, knowing he could pull it off.

Oh you have to be fucking kidding me.

The performance really sold it. Though I agree with the reviewer about how the show's production values enhance the comedy.

The bird flip was the button on the joke.

The question is, will she, Fitz, Skye, and Coulson have to take turns?

Agent Penny Can

I thought this was the best episode they've had to date. There was a wonderful tension to everything, especially the two conversations with the Ward brothers where it was hard to tell just who was telling the bigger lie. Skye, Simmons, and Coulson all got some pretty great dramatic scenes, the action was strong, and…

Honestly Garfield's Spider-Man is pretty good. The movies have all sorts of problems, but just the scene in ASM 2 where he's trying to talk down Electro in Times Square is exactly how that character should act.

One bit I liked was how Nina quickly cottoned on to how fucked up this end of the justice system is, and how her clients were getting screwed. Some sort of instinctive "this is not justice" thing got triggered in her.

It was trailers that got to me. Back around '88-'90 there were no restrictions about running ads for R-rated horror movies in front of PG-13 flicks, so I saw commercials for The Blob and Monkey Shines and all that scary stuff.

Yeah, the first is probably a little better made- the sequel has some more amateurish bits- but the scope and imagination of it is incredible. The music is also somehow even better too.

Oh, so many things. Dracula, Cabin in the Woods, Them!, The Corpse Grinders, The Undertaker and His Pals, She Beast, Curse of Frankenstein, Shivers, Black Sunday, The Addams Family.

In general, this is true- you don't need R-rated material to tell a scary story.

For once, read the comments. They have a lot of fun with this.