I think I would appreciate this more if it was the Dear Sister song for each of them.

I liked how they then started talking about whether or not it would be better for him to have a dog.

Fishburne must love this gig. He got almost all the funniest lines tonight.

Yeah this wasn't quite as engaging as the pilot. Some funny stuff but it feels like they're still finding their voice.

I definitely get the feeling that Eliza is, really, not a bad person at all- she's self-absorbed but I think a bigger deal is that she just doesn't know how to relate to others, so she sticks with the familiar. She's Abed but with social media instead of old TV shows.

Except the whole thing with so very few movies being available ON this objectively superior technology is kind of important.

I literally confused him for McDermott once in The Mindy Project's early days.

It's the one album of hers I have and I think it works pretty well for someone who hasn't dived in to her whole discography- it definitely ranges from long, experimental tracks to shorter, punchier ones but it's pretty cohesive.

A pretty great album. "Cornflake Girl" has such great orchestration but "Space Dog" is also pretty memorable in terms of its overall sound.

It was a tough Edsel for me too but I think they pulled it off.

I can't agree. I actually think this started a little predictable, but was put over the top by the revelation of Holt's genius plan- which in a lot of ways develops his character, as he's basically participating in the madness but on his terms.

I like that it works on two levels- one the actual "sex blocking" CGI people from the film's US theatrical run (not sure if that's still the version most widely available), and the censorship they have to have on TV.

Treehouses tend to be where modern Simpsons is at its most uneven so I was surprised at how consistently fun this one was. Sometimes they have to stretch for genre premises but they managed solid stories for all three.

The Boneless in their faux 3-D form were extremely well-realized.

The scenes with the Doctor interacting with Clara through the tiny TARDIS were great. The sledgehammer bit was pretty hilarious.

I feel like if the NAACP were really doing their job WRT representations of Asians on screen the 2 Broke Girls set would be picketed 24/7.

Yeah, it's important to remember that camp and self-aware ridiculous media was very much a thing in this period. The best example is probably the Batman TV show- it's played utterly straight by the actors but the point is very much to chuckle at how upright and squeaky clean everyone was.

Brooke Shields looks pissed.

I recently picked up a whole mess of cards from Mythos, a long defunct Lovecraftian CCG from Chaosium. Haven't been able to do much with them yet, but so far it's an interesting combo of story play (trying to play specific cards to match an adventure description) and attacking your opponent.

So basically this is one of those 60s sexploitation movies where they talk about how these are serious issues affecting modern society and in the meantime look at this couple sort of getting it on?