Eh, San Andreas, Rampage, Central Intelligence, all movies that were... eh, OK. All movies that made eh, OK money. The failures tend to be things like Doom that ALMOST squeak by.

I finally gave in and actually watched the movie in question.

“The final straw appears to have been a petition signed by 25 members of the show’s cast, who alleged that Alarr exhibited inappropriate behavior and fostered a toxic workplace environment on the set of the Peacock soap opera, calling for him to be replaced with a female director”

Transparency. “Hey, we started development and are moving forward.” “Hey, here’s some concrete evidence that production is moving in the way we said it would.”. That sort of stuff. All you really need.

I’ve friends who own the boxed sets and will leave them on nearly 24/7 as background noise, tuning in for their favorite episodes. Others that consider the show the go to “there’s nothing on TV, oh hey there’s a rerun...” viewing.

The music industry has a history of chewing up artists like this and spitting them out broken and/or dead. 

First, as a question was asked, “No”.

Some people are so burned by so many games having crappy pathfinding that it’s reflex not to use it.

If they aren’t stating a weight they aren’t held accountable on the weight. If it’s just pictures presented in “fantasy” settings such as they argue all commercials are, then they’re covered.

Well, that’s extended from when I used to go. Should expect that, friend over at Knott’s is talking about already being in heavy preHaunt work with main rehearsals starting mid-August.

Like I said, I think it’d be fascinating. I’m a fan of the behind the scenes stuff, so that apparently is tempering my view.

That’s kind of how I view all of the weekly shots. Some of the hosts were good, had the rhythm and pacing down, seemed like they could hold the job regardless of whether it was on Daily or not.

The impression that Amell gave - and unfortunately a potential impression that could be read from your post - is that in his world the strike happened without any other attempts at resolution.

There were some good moments with the “correspondents” behind the desk - I don’t think any of them would be a BAD choice. I’m just hoping we get to see the rest of the Dulce Sloan week as well as anyone else that got bumped by the strike. It was interesting watching people rise to the challenge - or not.

“Rent-a-Kid-for-Costco; comes complete with sanitized food safe sack tucked into their shirt for maximum sample storage”

I’m all for advertising being a more strictly regulated form of speech than it is currently treated. I, for one, am all for the across the board banning and prosecution of the producers of the “talk to your doctor about...” commercials.

It’s part of that process from the interviews I saw - they’re given limited access to what they will need for that shoot. I’d assume that it would include “In this scene you are walking along a freeway in the heart of downtown LA surveying a battle with many casualties. Your assistant was just killed in front of you.”…

They have weird market awareness in the theme park/coaster fan community FWIW. I’ve known about them for years and they’re definitely on my list when I get to that area of the country. Most of my coaster fan friends have at least heard of them.

Huh. I’ve read/seen a few interviews with the people playing the parts where they talk about getting limited secured access to tablets with just their part of the script and what they needed to know for the scene on it. I’d assume the director has input, but they’ve gone into detail about getting information like that…

And yet no riots over Small World playing carols over the same time.