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Bob Funch
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Is William Hurt confirmed to make an appearance?

I kind of liken this to Once: It really only has one breakout song... but its a hell of a song.

This feels like an episode where the production is saving budget dollars for FX later in the season. Time Travel = costume changes and three extras screaming at a T-Rex? The cast earns the B+ grade though. It’s a little jarring that Flash still looks like Flash 2016 while Superman and Lois looks two steps better. I

I liked Dion too, and found myself hoping (halfway through his big monologue) that the Still (Time) Force stays in Dion’s body and doesn’t body-hop to some other character. If each Force is going to choose a human form to embody - along with each person’s original baggage - I find that a pretty compelling set-up for

Feige seemed to imply that while there are no immediate plans for a WandaVision S2, that Marvel was indeed planning on this show getting multiple seasons. So, if it pans out that way, maybe some of this character development is getting parceled out at a deliberately slower pace.

I liked Bruhl even more after this ep. The guy is incapable of overplaying a character. Just putting on the mask, he stopped for a second and considered it. He gave it the same little look he gave it before packing it in his bag: “Here I go again after all this time.” Seven years, was it? It was like he was falling - v

So yeah, this week’s episode I would give a either a solid B or a kind B+. I’m not trying to be purposefully contrarian to Sulagna - we’re just on opposing wavelengths. Hopefully we’ll sync up before the show ends. I do agree that the show in eps 2 & 3 has been swinging wildly between “Yay!” scenes and “Fart Noise”

I’d like to see Scorsese’s original cut of Gangs of New York. More of Jim Broadbent & Tammany Hall. Harvey Weinstein hacked it down to its theatrical length. Scorsese agreed to it though. He said it was one of those difficult editing processes that a filmmaker needs to go through. When I watched it I remember feeling

I like that the show is using and reusing props from previous seasons.

Balk Fuerza if you must, but once defeated I fully expect she’ll become a bust in the Hall of Fame.

idk. Greg put together solid shows with Stargirl and Superman and Lois. I think when they say this show is going to be “gritty” - the “they” sounds like industry shorthand (maybe derisively so) that may not have even originated with the CW. I mean really? If this was your next career move, would you go around with an

Tom Cotton has really sunken-in eyes too. Like someone (or something) reached in and removed a snippet of their soul. 

I swear that in the middle of J’onn’s pep talk with Alex, her eye make-up suddenly dialed back from its “10+ Ohmigod!” to a more manageable “5" on the freaky-eye makeup scale. Like at that point in the filming, the fan reactions started to flood in and the showrunners were like: (with British accent) “Oh, I hadn’t

Lol! Well, I’m no gorilla, but if a mini Samara attacked me - like Samara only a 1/2 inch tall, she probably would still scare me to death. Actually that’s a scene right there for some inevitable Ringu Reboot: Mini Samara crawling out of your cell phone. That would freak the shit out of me.

Yeah, this is the part of the thread I was looking for. I’d flip the grades of eps 1 & 2. Same director I guess, but it didn’t seem like it. Something was off in the show’s timing. Bucky following Sam nonchalantly into the plane and on his mission felt a little too loose for a “special op” or whatever Sam is tasked

I was thinking one way to go would be to have Skull Island populated by all races of people lost at sea over the years. Part of the problem is also the “Hurry up and get to the ape” part of the formula. But like others have said here, if Jackson had trimmed some of the depression era set up, he could have given, you

The Man from Snowy River is dull as shit. But they open and close the movie with that 65 degree-angle cliff-dive sequence with the slo-mo horses, and ‘boop’ its a classic.

That spinning jump-punch in Real Steel is THE money shot. The whole movie swings on that one shot. It’s a fucking great shot.

So, racism.

... or the skills WB paid him to set aside.