Coming to Switch this Summer - sold!
Billy Madison
billymadison2
Will be spending more time with Prey, which I was initially ambivalent about but now can’t put down. I’m sure part of that curve was my slow progress through the storyline/upgrades because of my compulsive need to look in every corner of an Arkane game. And this game has a lot of corners.
Ambien jokes are fucking hack.
Can verify the inexplicable CT jam band love.
Avatar-Comment synergy: 9.4
I have a prescription and I take it when I travel. It’s magical. The anecdotes all sound like Reefer Madness to me. ¯\_(ツ)_/¯
Ambien’s generic and widespread now. You can’t trot it out at some kind of mysterious excuse unless you’re talking to people who watch pharma documentaries on Netflix. Basically, this is like Eminem taking a shot at Christina Aguilera in 2018.
Love them.
Larger philosophical questions aside, I think creative nonfiction is about filtering events through the author’s perspective. It requires a certain emotional honesty. It crosses the line into fiction when that perspective becomes a persona, and then the events exist to service that persona (typically with…
Your post reminded me that Danny Brown loves both Regular Show and Mount Eerie’s A Crow Looked at Me.
Some score dude in wack slacks just swingin’ on the flippity flop.
I still think he peaked with Wasps’ Nest and Get Lost and that 69 Love Songs was a huge fall off.
*please be a judge on Project Runway*
I played Bound for a couple of hours and was underwhelmed. (the controls are not explained or intuitive) I got caught on a glitch and will get back to it at some point, but it’s hard to prioritize.
There’s a couple more episodes, but I’ll miss The Land of Ooo and the endlessly creative and empathetic headspace it puts me in.
My problem with the ending is that, aside from the hidden letters, we haven’t seen much of any organized rebellion. All I could think was, where the hell did she get a bomb? On the other hand that was maybe the first musical cue I liked (aside from Peaches).