Regretting telling it is cool. Would be better if he regretted doing it, but whatever.

The National toying with a genuinely upbeat record? HELL YES.

“What if Dog Day Afternoon was a feel-good romp?”

PEOPLE... This looks really fucking good.

What? Was J.K. Simmons as a neo-Nazi rapist not a dark and gritty enough reboot for you monsters??

Does this include the accountants? Because that’s a step in the right direction.

Okay, but in a world where everything is so dark and full of hate and anger, we need Paddington Brown.

I can’t tell if this is the dumbest, or most inspired conceit for a horror film I’ve seen in a while. Obviously, I’m in, but gosh... Bananas is right.

“Hey, you know the two categories that are the most basic elements of filmmaking? Yeah. Fuck those.” 

Oof. Look, I get the impulse, but you can be straight up fucking someone, and enjoying it, and STILL be racist. Most racism isn’t Robert DuVall in Widows. It’s more like Colin Farrell in Widows.

That really sucks that he only got three Oscar nominations for his movie, instead of four.

Before the age of six: Toy Story, The Shining, Little Shop of Horrors, Fargo, Honey, I Shrunk the Kids, Home Alone, Pulp Fiction, Blues Brothers, The Mask, and George of the Jungle.

Was that Venom? I thought it was Carnage...

You know that kid is on his way to being dozed real hard.

McAdams is good, but Plemons gives one of the best supporting performances of the decade. Every single moment he’s on screen, he’s hilarious.

This could be good, if Fincher is directing. Otherwise, no.

I can’t wait to see Tony as a slave child in the desert, but he’s a really good go-kart racer, but it’s rigged for him, so he escapes, but without his mother.

Dude. Actually bad movies like Vice, A Star Is Born, and Green Book are right there.

Yeah... I think 2019 is gonna be an all right year.

Shout out to Mount Eerie’s Now Only, which is an incredible sequel to A Crow Looked at Me.