Yeah Wolf Puncher and Narc may not seem to have the requisite Bayham.

I love that scene if only because it's soundtracked to a tune by friends of mine. Their big hollywood moment; music to OD to.

I'm a big fan of The Grey.
It's got that proper old school "manly" vibe thing a going on. Milius, James Dickey, Peckinpah… that type of thing.

It was. In that it's a much better film than the trailer may have lead you to believe.

This is one of those projects that I really don't care what it's about. Eastbound & Down, Observe and Report, Foot Fist Way… Ticket sold.

They need to hoover that shit right up.

The accent work on that show is next level.

Dude, Otto is about as British as bratwurst.

Nope, your not.

There's nothing quite so adept at making you feel old as revivalist movements of scenes you were in.

…and I thought Accidental Partridge referred to Alan.

The lyrics to Witness 1 Hope are uttterly ridiculous too. The only serious component is that bassline.

You're right. Money Mad was out in 89. Holy shit.
Rodney has been around a looooong time.

I'm serious as cancer when I say… Bollocks.

So we didn't have "urban music" until the 1990's then?

You'e into the 90's with London Posse, Blade and Hijack and that though.

Utter, utter, bobbins.

I like Drag Me To Hell quite a lot, and it's very much a Raimi joint, my favourite film of his since A Simple Plan. Nice morality tale, great mix of practical effects, and he kicks the shit out of his lead.

Sam Raimi.

I'd go the other way round. I think Vaughn has got better since Layer Cake.