Question: why is there no “fuck you, Tim Burton” when Batman blows up a factory full of goons along with the Batmobile, seemingly throws people off of buildings before we’ve even met him (“LOOK WHAT HAPPENED TO JOHNNY GOBBS, MAN!), throws a dude down a bell tower, ties another man to a stone that he uses to send him…

You need way more fucking stars for this.

No...pretty sure it came out right.

He was also in the most recent season of Hap & Leonard, which is...sorry, was amazing and DID NOT FUCKING DESERVE TO BE CANCELLED. I’m still a little shook, but, yes. It’s amazing and so is he and I’m delighted he’s getting more work.

Yes. There can be only one.

Maybe it’s just me, but I was hoping there wouldn’t be a post-credits stinger. That ending punctuated by darkness and that “Thanos will Return?” People would be fucking wrecked. I actually thought that’s where they were headed, what with the lack of a mid-credits scene, and, while I dig the Captain Marvel set-up And…

This seems to be a case of confusing “woman writing Batgirl” with “right woman writing Batgirl,” which, from everything I can read, does not seem to be the actual case.

Hulu has the complete first season. You can watch the second through FX’s app if you have the channel.

You’re giving them way too much credit. Having seen all of them, I highly doubt the writers have even considered those sorts of legal implications. The idea of “The Purge” is nothing more than a half-assed McGuffin to set the characters on a 90-minute struggle for survival while being pursued by generic maniacs…

I’m so glad to see this article. Dude is, without a doubt, a legend, and, maybe it isn’t a popular opinion, but I still maintain that his take on Wonder Woman is the definitive version in my mind. She’s stunningly beautiful, yet powerful, and he always manages to evoke this sense of, pardon me for saying this, but wond…

I think it’s important to understand that this is as much a companion piece as it is a sequel, and, by that, it’s as much an examination of our current culture as Moore’s was of his circa 1985. With that in mind, I think that the fact that the people responded to the New Frontiersman piece as much as they did is very…

Look, I agree about the Harley output reaching peak saturation a long ass time ago, but, like, this is just a story arc running in her own title. It’s not a spin-off or a side story. It’s part of her regular title.

And, being Archer, he would naturally grab her ass.

Honestly, between this and the upcoming Metropolis show on the upcoming DC network, I kind of wish they’d just test the waters, connect the two, and see how people respond. Tell the story of how Adam Strange and Superman’s Papaw defeated Brainiac and saved him in the past, tell a short story about Metropolis right…

For All Seasons was Tim Sale, so, I think you were on the money with Secret Identity. I could definitely see the parallels between Mitch Gerads’Scott and Barda and Stuart Immonen’s Clark and Lois, though.

Dude, Iron Man was like D-list before RDJ got ahold of him. Significantly higher up if you were a comic book fan, but, to the general public? Forget about it. Outside of a short lived cartoon and the occasional kid’s T-shirt at JC Penney, the dude had zilch in the way of public exposure. Now, he’s absolutely A-list,…

THANK YOU! This was bugging the hell out of me as I was reading, but seriously, though, I love these posters.

Which is precisely why they included it...because Freeze comes with his smashed/steaming soupy head:

I feel like Smallville did, though. Which is why it seems super weird to me that they’re making Metropolis, because I’m like “didn’t they make this show, already?”

That’s what I’m hoping for, too. Having Jon, who is just all kinds of wonderful, and not having him meet his grandparents is just, like, cosmically horrible. And thank you for bringing up the superorphan trope. I’m still hoping that, someday, someone restores Barry Allen to his status as an ordinary, average guy with…