I think the toy helicopter was a drone that was flown in, and like you said was forced to conform to the reality Wanda’s making. 

I’m going to be sad if Wanda turns out to be the Big Bad here. I’m tired of abused & damaged women being turned into monsters (even sympathetic ones).

It’s also similar to another reality-warping Marvel show, Legion. 

I'm glad I'm not the only one getting Annihilation vibes. Very heavy at the end of this episode.

Agreed. I love going to the movies, love getting popcorn and beer at Alamo Drafthouse, but I love not getting a crippling respiratory disease more.

I think you’re right about Monica and I like your idea about the bee keeper suit. Parris was really good this ep, switching between Monica’s ‘70s sitcom persona and her real self. Plus it looks like she get to keep those awesome fish pants.

warner’s strategy is looking smarter and smarter, unfortunately.

Not to mention he’s an entrepreneur who runs a real-estate company with no employees and $0 reported revenue.

Is it me or has superspeed not been part of Vision’s power set? Is Wanda conflating her two greatest losses: Pietro and Vision?

Like, who would possibly make such a bonkers claim about getting into the Olympics?

“Amanda Palmer Makes Desperate Plea For Relevance”

But seriously though, Amanda Palmer should shut the fuck up.

“Why is this movie so long? Doesn’t Peter Jackson know about elevenses? Luncheon? Tea? Dinner? Supper? Second tea? Midnight snack?”

“It’s not just pure snobbery that keeps the Academy from recognizing things like Avengers: Endgame or The Last Jedi”

You should change your name to coolhobbitguy if you can’t do without food for 3 hours.

In a weird way I never realized how formative I found the original miniseries which I saw once as a kid until I watched this and got repeatedly angry at how much better each version of the characters were, so I guess I should appreciate it for that reason.

Or, they could just write stories that are new-reader friendly and don’t rely on an intricate knowledge of continuity.

Yeah, the Ultimate line was pretty much a best case scenario. Good buzz, positive (professional) critical reception for most of the core books, some useful tweaks to the characters that eventually got incorporated into successful movies.

It took about three years for it to fall apart outside the Spider-Man book.

As DC found out, every line-wide jumping on point is also a pretty convenient jumping off point.  

The reason comic sales are in the toilet has very little to do with the decades of continuity. It has everything to do with the combination of the death of print media and the speculator boom/bust of the nineties severing the new reader pipeline. No hard reset is going to fix that.