barron63
ThisFuckingGuy
barron63

It’s cause her twin sisters keep taking all her work. 

She’s being honest. I prefer honesty over posturing any day.

I really liked She-Hulk, but it really was perhaps the quintessential example of Disney’s TV budget fiasco. A show where the main character has to be constantly CGIed is necessarily going to cost a bundle, and even if it had been done perfectly(I thought it was mostly great with a few noticeable problems), people

That’s too bad. I hope that we can some of her in non-Hulk form in the new Daredevil show. I really enjoyed their relationship. 

Tatiana being unable to find a job is one of the great travesties of Hollywood at the moment.

A pity— She-Hulk was by far the Marvel TV series that I most enjoyed watching. It knew the kind of story it wanted to tell, it wasn’t laden down with the baggage of having to advance some sort of cross-property plotline, and Maslany was effortlessly charming in it. I can see how the CGI budget for it must have been

While Rice’s co-stars Reneé Rapp and Christopher Briney were a little confused about a question that used the abbreviation LiLo to refer to the actress”

Why, exactly? It’s a joke - a shitty, hacky, desperately lame joke that wouldn’t have been funny even if the premise was accurate, which it isn’t - but it’s *just a joke.* It wasn’t racist or misogynistic (the joke named two white men before her) or particularly insensitive (such as it might have been if DeBose had

But none of them are quite as Irish as Ayo Edebiri, who is, at least according to the internet (and Ayo herself), the most Irish celebrity who’s ever lived.

Ayo Edebiri isn’t actually Irish.

I haven’t seen a single person blame Ramsey for it. Which is pretty nice.

Selena Gomez? Howdja get her?

Ugh. At least do “Young Raj”

Nolan sold it as a standard procedural and the hook was The Machine. Like Elementary or N3mbers or any number of other shows, they thought the hook would be mostly just a meaningless gimmick that didn’t affect the plot in any significant way (hell, they now have the US Navy investigating crimes in Australia somehow) an

CBS, the most risk-averse network ever. How Person of Interest ever got approved, I'll never know. 

Honestly, god help anyone who says ANYTHING about her if we’re referring to that Jo Koy joke as “cringe-worthy.” It was not a good joke. It was barely a joke. But my goodness, is it being blown so absurdly out of proportion. “Taylor Swift is dating an NFL star and gets shown on TV a bunch.” Oh, what a diss to Tay-Tay.

Repeatedly highlighting how much this guy sucked at this dumb gig really isn’t doing anybody any favors. It’s unnecessarily mean to a relative unknown, and I’d think AV Club writers would have at least a little empathy for people who aren’t funny but are desperately trying to be so on a bigger stage than their skills

Honestly, I’d settle for 13 episode seasons at this point, because even those seem to be getting rarer, with a lot of series just doing ten or eight. But 13 has always felt like a nice, sweet spot. . Enough to where you really feel like you’re getting scope and breadth, but not too many that you feel like they’re

I think there are plenty of TV shows that warrant 20+ episode seasons. Your traditional sitcoms, your procedurals, etc. There are even some high-concept serialized dramas that maintain a consistent quality over 20+ episode seasons. It would be good for the people actually working in the industry too. As far as viewer

I agree with the sentiment, but I would prefer shorter episodes. Instead of eight 75-minute episodes, how about 12 episodes about 45 minutes?

If there weren't so many TV shows I want to see maybe I'd agree, but if all my favorite shows were 20 episodes long I'd never have time to watch anything else.