Oh, god that Six Feet Under episode. I was plowing through the show a few years ago, and even though its not the most light hearted fare, I was at that point you reach when marathoning something where you get a little addicted and it becomes comforting to watch. So I ate some weed brownies one night, and since this…

I worked at Cirque de Soleil when it was in town last year, and saw almost the entire run of shows. The juggler dropped his pins at least a few times a week, but he was a good improviser and knew how to play it off. And when he was on, he totally killed and was the best part of the show. Was definitely nerve-wracking…

He didn't write or direct it. Knowing that I went ahead and watched it, and yeah it was quite good.

I laughed at Charlie telling the factory guy 'don't stop working, they never do on TV', because I remember them talking somewhere that escapes me about either Rob or Charlie (or both) playing a character on Law and Order that was that exact trope. Had to have been an intentional nod to that.

I feel like I might get booed off stage for this, but I'd like to see Marc Maron get a crack at it. It won't happen, at the very least due to the beef between him and Jon, but he has experience in hosting, political discourse and is a fantastic interviewer. Plus his grumpiness/cynicism would be a nice counterpoint to…

It was unique and well executed and fun as hell, and that was kind of a dud year anyway…I don't know what people expect.

I'm kind of the opposite…I didn't like it when it came out due to its ubiquity, but listening to it again 10 years later reveals that it's probably one of the tightest pop songs ever written.

Thank god! If I was ever important enough to write one of these this would've been my choice. I don't think any song in the last 5 years has driven me up the wall quite like this one. Just the epitome of bland, commercialized and utterly insincere twee-folk bullshit.

That was like every episode of Curb, The Office and Hello Ladies combined, It was fucking excruciating. I had to change to another window and turn the volume down, and even that wasn't enough.

I agree with you almost entirely, but I would've been perfectly happy with him winning for Django. That's definitely his best role of the past decade, and it was certainly better than Waltz, who was perfectly fine, but essentially played the same character from Basterds with a retooled moral compass. I can't quite…

I just had to Urban Dictionary it…literally never heard that term. Seems like a British thing.

No it doesn't? Without commercials most episodes are around 19-21 minutes.

With Nick Cannon as Pryor, last I heard.

"Is pimping easy?"
"Hell yeah!"
"Somehow that is correct."

Hence why I resent La Banquise being considered the poutine mecca in Montreal. Fuck that, Belle Pro or bust. Quick (as in they literally apparate within 30 seconds of you ordering) , dirty, no bullshit.

Something about the pacing and editing of this episode felt really awkward and slapped together. I'd say it was the weakest of the season. Not that it wasn't still fun to watch.

Which is why I think the whole Sam Smith thing is so stupid. I finally listened to both songs closely back to back yesterday and thought everyone was taking crazy pills. They're two vastly different songs in different genres with different tempos, keys, instrumentation, vocal stylings, even chord progressions, its…

I started The Wire and gave up halfway through season 2. Just could not get into it.

I guess I'm the only one who wanted to see Life and Times of Tim on here.

I've yet to see Sasheer Zamata stand out. Her talent and potential are definitely visible but she's had absolutely dick all to work with.