I wondered if he can’t see the tachyon cannon. He’s not dead, yet, so this likely isn’t the “tragic end” he was talking about, just the beginning of it, so it being a tachyon cannon he might not be able to foresee how it’s used or interact with it.

I find that line of reasoning pretty unpersuasive.

It’s a minor point, but Adrian Veidt is the one who first talks about “the seventh cavalry” in the comic book, so the connection isn’t unfounded. I assume they call themselves the “Kavalry” because of their connection to the Klan.

After playing things close for 4 episodes, tonight was a whole other story. I did not expect so many revelations in one sitting, and certainly not from a Wade-centric episode. Too bad it looks like his last. After doing Keene's bidding, he was apparently just a loose end. Next week looks to be just as informative,…

Going the route of the recent comics run, maybe?

Yes but they are still “winning.” You’re talking about people who don’t give a shit if their economic livelihoods are effected, as long as they “own the libs.”

Nightmares are often more memorable than pleasant dreams. 

and let her two hand that shit like a gerbil.

No, we’re not supposed to see her as a villain in the pure sense; we’re supposed to see that anyone can be a hero or a villain, at different times, and from different perspectives. Who we have left to identify with is: everybody, because we’re complex, and we have strengths and weaknesses, as signified by the…

On April 1, 2020 Jimmy Fallon will discover Jay Leno behind the curtain
and realize his entire Tonight Show run was an April Fools joke.

It should be noted that this is the same Mos Eisley level that was floating around two and a half years ago and even got coverage on Kotakus in both hemispheres.

Man... what the community does when it puts its passion behind something is truly awesome. I hope they allow this work to find a natural and satisfying end. I kinda wish/hope we can get a few more protections going for the little folks who can and DO do work like this. There’s got to be a little wiggle room in these…

Ahh... maybe it’s because I’m a terrible person, but I’d like more nastiness. I’d really like an episode where they explore documentaries that create false narratives and set up on subject as a villain through the use of music, lighting, etc... while simultaneously making it clear that the person they’re vilifying is…

I’ve been thinking a lot about this recently. I saw an article from WSJ calling Jordan Peele “The New Master of Suspense,” and I wondered how the hell he managed to become so ubiquitous on the merit of a single film. Get Out was fantastic, of course, but I’ve never been sure it’s enough to proclaim him a genius just…

Would have been so much better if she just went fully bad and aligned with Magneto after the first one. She can still be the lead of your movie even if she’s a bad guy. 

Can we get a Hitman level where you assemble a Billy bookcase and then push it over on someone? Or smother them with an affordable plush broccoli?

The part where he says “I let you down man...” immediately made me tear up. The way the movie handled Aaron was way better than the comics and I’m very thankful for it.

Cohen wrote (and directed) Get Hard. He did not work on Walk Hard.

If they’re changed “fucked” to “effed,” wouldn’t that affect the entire rhyme scheme of the song? I’m more interested in how they get around that hurdle than Gwen’s home life.

I don’t think this movie tells the older films to eat shit at all, and I don’t buy the idea that it’s antagonistic to TFA specifically. Kylo Ren seems to have been conceived as a Vader fanboy, and it was the fans that made this out to be a bug rather than a feature - Snoke’s line about the mask being ridiculous is…