Corrected! (that's what I get for having a Richard Donner/Richard Lester conversation earlier tonight)
Corrected! (that's what I get for having a Richard Donner/Richard Lester conversation earlier tonight)
I'd list a lot of those scenes, but will add one other — which might not be "the scariest" but, to me, has frightening implications: the famous wallpaper shot in Robert Wise's The Haunting, where shadow and light take the innocuous wallpaper into something borderline satanic.
See, I actually prefer the Leeds version, although the Rock & Roll Circus version is stellar as well. I love what sounds like the extra guitar distortion in the Leeds version, though.
"Real Good Looking Boy" is an awfully underrated nugget.
The Ultimate Who Greatest Hits Primer:
(extends hand, reaches to daughter in the back of the car, hoping for validation of rockitude whilst belting 'Who Are You')
Except the Stones really deserve a Primer article. This one follows pretty pat guidelines.
I haven't seen this mentioned yet, but can we discuss those parting shots between Lindsay & Nick to the strains of "Groove Line" kickin off? The angst, the slight signs of promise, the utter confusion as to how to address their friendship and even some lingering romantic tension that's buried underneath their history?
I wish I had a gay uncle. I only have blue-collar workers, a Vietnam vet with chronic PTSD, and a drug addict for uncles.
As a bearded ginger I support this.
Why probe when we got Dik?
WE DON'T NEED YOU ANYMORE, AV CLUB! WE'RE ADULTS! WE'RE MOVING INTO OUR OWN PLACE WHERE YOU CAN'T TELL US WHEN TO GO TO BED AND EAT DINNER!
Fear not, Nu-Disqus means no one will see anything in the TI anymore.
Helen Lovejoy thinks of the children, not Maude Flanders.
Rule of Thirds, motherfuckers!
And claims that the left wants to form a totalitarian state.
This would be rather financially lucrative. You can make it extreme kink, too, to really play up the subversive. A Rachel Maddow surrogate taking an Ann Coulter surrogate to town? Sounds like fun.
When you self-fellate, the ouroboros effect must be astounding.
Kenny Powers audio commentary for Jules & Jim is now a new request to Criterion.
Well, he also threw down an Amores Perros reference while filming the pool construction, so KP is clearly abreast of critically acclaimed Latin American cinema.