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I'm trying to remember "Subject 13"…wasn't Walter already experimenting on Olivia when the Peter crossover took place? So whether or not it did, he still would have been shooting her up with cortexiphan, and most likely she would still have the ability to cross over to the other world, right? So even if Peter stayed

But if The Observers don’t exist, then September/Donald doesn’t exist, which means September never saves Peter, which means there is no Etta, right?

I didn't see the pilot, but if it had even more of Skip than this episode, then I'm glad I missed it. Just as I will be missing the rest of the show. The scene pictured above was simply excruciating. Nobody can possibly be that stupid and annoying and inadvertently cruel, can they? Well, if they can, I certainly don't

After watching it a second time, and liking it even more on the rewatch, I'm wondering if maybe the morning after pill joke scared off the network? It's the only reason I could possibly think for why they would have held this episode for so long. As mentioned below, it was easily the best of the holdovers so far, yet

Agreed. A nice palate cleanser after Sunday's terrible episode.

Thank. You. I've kept my mouth shut during the histrionic bitching about the holdovers the past several weeks, 'cause I was pretty sure I was the only one who didn't think they were the WORST THING IN THE HISTORY OF THE WORLD! But for all the talk about how the Season 2 episodes are sooooooooooooooooooooooo much

Different strokes. The leftover Season 1 episodes may have been subpar compared to what the show at its best, but I would take all of them over this steaming pile, which may have been the worst episode of this show I've ever seen (and yes, I've seen all of them). Not enough Chloe, not enough James, certainly not

I get that NBC wants to use "The Voice" to try to boost it, but you'd think they would have learned their lesson after pulling the same thing with "Perfect Couples" two years ago—premiering it in late December a month before they officially debuted it on Thursday night. Because that turned out SO well for them.

I get that NBC wants to use "The Voice" to try to boost it, but you'd think they would have learned their lesson after pulling the same thing with "Perfect Couples" two years ago—premiering it in late December a month before they officially debuted it on Thursday night. Because that turned out SO well for them.

Agreed. This piece was exquisite. I don't watch this show, but articles like this are why I read coverage of shows I'm unfamiliar with, knowing if I'm fortunate the writing of the piece will be insightful, clever, or even beautiful.

Agreed. This piece was exquisite. I don't watch this show, but articles like this are why I read coverage of shows I'm unfamiliar with, knowing if I'm fortunate the writing of the piece will be insightful, clever, or even beautiful.

I didn't see any plot progress last week, only wrapping up the complications they introduced a few weeks earlier specifically to drag out the plot (not to mention Mason agreeing to go to prison was utterly ridiculous). Really, what was the point of the Kara nonsense? And bringing Mason back? It was all just pointless

I didn't see any plot progress last week, only wrapping up the complications they introduced a few weeks earlier specifically to drag out the plot (not to mention Mason agreeing to go to prison was utterly ridiculous). Really, what was the point of the Kara nonsense? And bringing Mason back? It was all just pointless

"A journey without end," indeed. It's kind of hard for a journey to end when it NEVER GOES ANYWHERE.

"A journey without end," indeed. It's kind of hard for a journey to end when it NEVER GOES ANYWHERE.

Agreed. I thought it was utterly charming. This is a show that lives and dies by the character interaction, not the plots, which kind of makes it odd to hear this episode slammed for not having a deep enough plot. I mean, when I think of this show, I think of the gang sitting around Sheldon and Leonard's apartment

Agreed. I thought it was utterly charming. This is a show that lives and dies by the character interaction, not the plots, which kind of makes it odd to hear this episode slammed for not having a deep enough plot. I mean, when I think of this show, I think of the gang sitting around Sheldon and Leonard's apartment

Indeed. When Amy actually said, "I'm your girlfriend. You're supposed to take my side," I thought, "Uhhh…no. I hope someone calls her on that, because that's not how it works." But instead, the end of the episode only seemed to affirm that worldview. Which sucked.

Indeed. When Amy actually said, "I'm your girlfriend. You're supposed to take my side," I thought, "Uhhh…no. I hope someone calls her on that, because that's not how it works." But instead, the end of the episode only seemed to affirm that worldview. Which sucked.

No, it wasn't on last night. NBC aired The Voice.