This episode will probably be Danny McBride's Emmy submission and it's a pretty big bummer that he probably won't get nominated for it.

Oh don't get me wrong, I think he's one of the most brilliant comedians ever, if not always my cup of tea, but I just like him so much better when he's riffing and not doing a routine. I'm that way with a lot of comedians. Pete Holmes is a million times funnier to me when he's just riffing on a podcast than he is in…

I think Chris Rock is so much funnier in interviews than in his specials, maybe because I just find his on stage persona grating and I think limiting.

He definitely is. The Lonely Island have a song about it called Go Kindergarten.

"Oh shit, let's get some m&ms and chips going! Yellow!"

It's crazy how far he's swung into cynical territory. The routine about how horrible it is to have kids was almost Carlin-esque, not in it's style or delivery, just the subject matter and the stance Aziz took on it. This whole special felt kinda like Aziz, Louie and Carlin thrown in a blender. It took me a couple…

Watching Buzz Aldrin explain comedy to Sacha Baron Cohen is fucking sublime.

I would ding it for cringe-worthy green screen overacting and being a slightly less enjoyable version of the already pretty "meh" Burton version of Alice in Wonderland.

Haha yeah that's true, it's not actually their fault, that's just the film most people point to as starting the trend of digitally color correcting a film to achieve a certain look, even though Pleasantville has it beat by a few years.
But yeah, it's certainly been abused since then. Some have used it for artistic…

Wow we posted at pretty much the exact same time.

It's all the Coen Brothers fault for popularizing the use of a Digital Intermediate for post-production color correction on O Brother, Where Art Thou? Now every big blockbuster that comes out uses a DI and gives their movie a teal/orange color scheme. The difference is the Coens actually did it for artistic reasons,…

It's all the Coen Brothers fault for popularizing the use of a Digital Intermediate for post-production color correction on O Brother, Where Art Thou? Now every big blockbuster that comes out uses a DI and gives their movie a teal/orange color scheme. The difference is the Coens actually did it for artistic reasons,…

If I was walking down the street and a hipster douchebag screamed
"Elvis was a hero to most but he never meant shit to me you see
straight up racist that sucker was simple and plain
motherfuck him and John Wayne"
at me that would make me fucking week.

I'm assuming you're not a Crash Test Dummies fan. Not because of the lead singer's low voice, because their music is awful.

I had to analyze this song as part of the exam for my Music History and Appreciation class. We had to list all the instruments used, and point out things like the ostinato in the main guitar riff, instances of monophony, homophony and polyphony, and some other stuff I can't remember, but having to do that actually…

That could be cool too. Don't know if I would actually want to see an Eastbound & Down movie in a theatre, but an HBO movie could be cool.

That Stranger Danger sketch felt a little like whoever wrote it were big Bob's Burgers fans and they said, "Hey, why don't we try that?"

Season 4 is surprisingly the best season yet. I wasn't even really all that excited about this show starting again but 5 episodes in and dammit, I want a Season 5!

Seeing as how it's widely considered one of the best episodes of the series, it's not surprising at all.

Doug Benson would be so proud of all of you right now.