It's really more of an "ah, ah, ahhhh."
It's really more of an "ah, ah, ahhhh."
All I know is this: when O'Neal goes post-post-post-9/11, the world will come crashing to an end.
All I know is this: when O'Neal goes post-post-post-9/11, the world will come crashing to an end.
I am in desperate need of a magical fuck-frog to cure my AIDS.
I am in desperate need of a magical fuck-frog to cure my AIDS.
@avclub-9ed1c7f5119e63bbe64f80fa787924b2:disqus I'll give you Pete, Joan, and Roger (in that order). Ken Cosgrove, Accounts, though? He's a useful tool for the writers sometimes, but I don't really see him a necessary cog.
@avclub-9ed1c7f5119e63bbe64f80fa787924b2:disqus I'll give you Pete, Joan, and Roger (in that order). Ken Cosgrove, Accounts, though? He's a useful tool for the writers sometimes, but I don't really see him a necessary cog.
None are as important as Peggy. Important, maybe. But not as important as Peggy to the show's structure and themes.
None are as important as Peggy. Important, maybe. But not as important as Peggy to the show's structure and themes.
Hurry onwards, Lemmiwinks,
or you will soon be dead!
Hurry onwards, Lemmiwinks,
or you will soon be dead!
Fear and Loathing was probably his only film appearance in which I did not despise him.
No he can't. He's a pig.
One of the many small jokes that made this episode excellent.
Burt Macklin seriously deserves a spinoff.
I was particularly upset that we didn't get a "BITCH!" out of Aaron Paul.
If I said you have a beautiful body, would you hold it against me? I am no longer infected.
I would bad mouth Dexter, but I know there are plenty of other folks here who will get the job done for me.
Thought the whole episode was Lynch-ian, but the trip sequence was where the influence was most obvious. The hair thing was uncanny.
Moments like that are why Bert is hands-down my favorite character when they use him well.