We're talking about that awesome Rush jam from A Farewell To Kings, right?
We're talking about that awesome Rush jam from A Farewell To Kings, right?
Are you saying a movie with George Burns AND the Bee Gees is somehow a failure? Steve Martin as Dr. Maxwell Edison? Aerosmith as FVB, the Future Villain Band? Hello?
So you're saying the film would have improved in quality as a direct result of a massive injection of Baseball Furies?
It is pretty funny that she shits on the hipster term and claims she doesn't adhere to the terminology, and then proceeds to define exactly when The Age of Hipster transpired, what it all means and who the shining godfathers of said era were. But fuck all that, and how dare you?
Fucking hilarious. Way to end the interview tailspin completely in the ditch by capping off the "It Girl" clusterfuck with a Brown Bunny question. You win again.
Demoted to Commander Giggles. Check that shit before you hit post, son. Carry on.
Still waiting on the Dig Dug film.
Sorry, HAL, it's just electronic chess for you. Maybe I'll show you some of my drawings later.
Assholes usually come pre-infuriated.
HAL nailed his first naughtie.
They're the two straight men on the show. They have to be a little dull and normal.
"To get to Candy's room, you have to walk the darkness of Candy's hall."
Now you've awakened the wrath of a Revolution #9 apologist! I love that interesting little (or big) mess. It's like walking through a really crazy party on acid. Reminds me of some of their latter Pythonesque Christmas albums.
No, I'll second my own fuck Phil Collins, thank you.
Timmy, you must be the only dude in the world besides me who recognizes "Shots" is the greatest Neil Young song no one knows. It seems not many made it to the end of RE*AC*TOR, side 2.
"Within You Without You" is good, but the best deep cut from Pepper is "Being For The Benefit of Mr. Kite!". Either that, or "Sgt. Pepper's Lonely Hearts Club Band (Reprise)". They rock out their own song even harder.
Jorge, you're right about that…the opening of The Last Waltz with "Baby Don't You Do It" makes the entire film worthwhile. Holy shit, that is a great cover. The Who also do a decent version on the bonus track version of Who's Next.
Wait…there are Neil Young fans that hate "Cinnamon Girl"? Wow.
"The Word" I think is a criminally neglected song from Rubber Soul.
Is anything besides "Rock the Casbah", "Should I Stay or Should I Go" and maybe "London Calling" not a deep cut? Did these guys release singles?