avclub-e66328e6839ea98e7ac56275a549d89e--disqus
Mystic Bounce
avclub-e66328e6839ea98e7ac56275a549d89e--disqus

Ah yes, I knew I was forgetting something. It joins the ranks of over doomed colon movies like Manos: the hands of fate.

The new thing is to wear glasses that your parents would have worn in the 70s. It's an insult to all those years spent striving towards unintrusive eyewear, much like how we spent all those years escaping Don't Stop Believing only for it to be warmly welcomed back by the new generation.

Ecks vs. Sever really set the precedent for these movies by… uh…. being a movie that was made.

He's at his funniest when he reads twisted fan emails fans at live WTFs. His standup always suffers in my opinion because he's never able to construct an element of surprise or weave jokes out of his stories. He's too self-consciously "real" and his material is pretty spread thin throughout every medium to not include

I hope it features a montage of God dancing around a jukebox to the song "Faith" while he creationisms everything.

No matter who takes over, Craig will always hold that late night spot in here.

So is he thanking Toto, the band? Or blaming them? Are they responsible for his fragile mental state?

Judge twat lest yeast be judged.

She's been ghostwriting as Stephen King since the 70s (JD Salinger was Richard Bachmann). Thomas Pynchon provided the photographs and public appearances of "Stephen King". PROVE ME WRONG PEOPLE

I enjoyed how Craig prefaced the interview by warning that Fry had views that everyone may not agree with. Americans always portray themselves in media as outspoken and unapologetic defenders of free speech compared to the stuffy Brits, and yet here's a late night talk show warning viewers that his guest is (gasp) an

There are episodes where Steven Wright is not even the featured guest and he shows up just to fuck around while Craig reads emails. They are hilarious together.

He's more like his buddy Drew Carrey than we ever imagined.

I wouldn't take that idea at Face Value.

Love in the Time of Cholera and 100 Years have such perfect endings and beginnings. It's truly a rare talent in writing.

The Autumn of the Patriarch is probably one of his least accessible works. Not that I disagree with you, but 100 Years is one of those rare works that is as brilliant as it is accessible. Chronicle is a good entry point, too, and I guess is actually more representative of his career as a whole when you factor in the

I remember him remarking how it's better to be a supporting actor in a great movie than the lead in a shitty one. This was in reference to working on A Beautiful Mind. But then he went ahead and starred in that tennis rom-com…

Thing-Fish: super interesting to read about, but painful to actually listen to.

It's the type of question only the big man upstairs can answer.

I read that as Soul Plane. Looks like I picked the wrong week to remember Soul Plane's existence.

Throwing in some love for "Babies". Also a stone cold classic.